Joanna Newsom
Have One on Me

It was a little disturbing at first to hear that Joanna Newsom's full-length follow-up to the ambitious and polarizing Ys would be a triple album. Where 2004's The Milk-Eyed Mender was an unusual record with its share of quirks (her squeaky voice and fondness for arcane language, the harp), it also had its simple pleasures. Most of the tracks were short and the sound was spare; you pretty much liked it or you didn't based on how you felt about Newsom's sound and her ability to put a song together. Ys, on the other hand, was unapologetically dense. The five songs averaged more than 10 minutes each, and through them Newsom sang continuously; Van Dyke Parks' arrangements were similarly relentless, seeming to comment upon and embellish almost every line. It was a rewarding album-- filled with memorable turns of phrase and impressive storytelling. Many were enthralled, and almost everyone at least admired it. But in comparison to Milk-Eyed, Ys took some serious work to crack. So when I heard that Newsom would be following it with a 3xLP set called Have One on Me, I had troubling visions of 25-minute songs with lyrics that stretched to 5,000 words.

As it turns out, Have One on Me is a "triple album" in the vinyl sense, in the same way that the Flaming Lips' Embryonic is a "double album," even though it fits onto one CD. There are 18 songs here, and they total about two hours. To pick a couple of reference points from the CD era, that's the same length as Smashing Pumpkins' Mellon Collie and the Infinite Sadness, and just a bit longer than Biggie's Life After Death. Two hours is a lot of music, but having it broken into three discs, each the length of a 1970s LP, helps. You can dip into Have One on Me at a given point, listen for a while, and move on to something else. But while the album invites sampling, I've found myself returning to a different section each time I sit down with it. The highlights are spread out evenly, and Newsom couldn't have sequenced the record any better.

Continued at Pitchfork

We already know Joanna Newsom isn’t afraid to go big. Hell, she sits her small frame behind that hulk of a harp all the time, and knocks out those strange, percussive notes of hers. However, Have One on Me isn’t big—it’s enormous. It’s an album without borders, its two-hour-plus running time is an unruly and unreasonable length. We saw her expand from tight, contained songs on her debut The Milk-Eyed Mender to sprawling yet stately folk epics on Ys, backed by the huge swirl of Van Dyke Parks’ string arrangements. So, at first glance, you could mistake this new, triple-album as a next step for her.

Yet Have One on Me is not a logical progression. This isn’t the only thing that could have followed the expansive tracks on Ys. In fact, this album bears little if any resemblance to that one. That album has tracks like “Only Skin”, which clocks in at around 16-minutes, but the whole record runs for a contained 55-minutes. Each song is built on tight, energetic pieces knitted together nearly seamlessly. “Sawdust and Diamonds” wins you over in its ten minutes because it moves from forlorn space to taut pleading, each step along the way distinct and bracing.

Continued at PopMatters