Thank Me Later

Drake sings or raps the word "I" 410 times on his debut album. Even in the realm of hip-hop-- a style famous for its unswerving solipsism-- this is a feat. For comparison's sake, noted mirror watcher Kanye West managed to work only 220 "I"'s into the verses and hooks of his big break, The College Dropout. Illmatic; 210. Reasonable Doubt; 240. With Thank Me Later, Drake attempts to enter the pantheon of those rap game-busters by the sheer force of first person singular pronouns. All eyes are on him-- especially his own. But considering this mixed race, half-Jewish, all-Canadian "Degrassi: The Next Generation" alum looks and sounds unlike any major rap star before him, betting the house on nothing but himself turns out to be a wise gamble.

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It is unclear exactly what kind of artist Aubrey Drake Graham wants to be. Groomed by Lil Wayne, taken out partying with big boys like Jay-Z and Diddy, the kid seems to view himself as a member of that company—a hard rapper. But he’s bucking what seem to be his truer colors as a slower, R&B-type singer in the style of Usher or Ne-Yo. On Thank Me Later, easily one of the most anticipated releases of the summer, the identity crisis is in full swing.

Full Review | More Reviews from Publication | Top Rated of 2010