Bloom is a gushing collection of top tier songs that have been carefully knitted together for maximum impact, and is absolutely gorgeous and stunning.
"Bloom" is also what these 10 songs do, each one starting with the sizzle of a lit fuse and at some fine moment exploding like a firework in slow motion.
Every movement on Bloom extends that high silence to the length of several minutes, building within the song and into the next track to send wave after wave of eyes-closing, head-tilting, fist-clenching pinpricks.
The aching sweetness of Bloom’s ten tracks should override any misgivings one might have about the band’s seeming lack of stylistic evolution.
Beach House are equipped to leave the nods to shoegaze behind and embrace a far more holistic aesthetic – pop music.
It’s an album that’s sure to satisfy long-time fans while undoubtedly garnering the band even more media buzz.
Despite the album title, the duo picks right up where it left off on 2010's Teen Dream.
For all their undoubted accomplishment, Beach House seem to have reached their limits as a two-piece, or worse still, have simply finishing running their creative gamut altogether.
There’s also pleasure in hearing a band do what they do so peerlessly well: croon sweet, sweet lullabies to console us in our fleshy prisons.
The high points are as good as anything they’ve ever done, though the hooky hooks and subtle gut-punches of these are couched in surroundings that teeter on the generic and the self-derivative.
Beach House haven't bothered re-inventing the wheel, because it keeps on spinning just fine.
Bloom, unfortunately, becomes less interesting with the more attention you pay to it, largely because there is not much to set it apart from its predecessors.
One of the best album I ever heard, with songs that remain on your mind for long time, and A sense that this work is your own inner voice who is singing suddenly.
Nice moment throughout the album, and of course best track is "Wishes"
Accomplished and well-mounted, it ultimately suffers from the weight (or perhaps fluffiness) of its own redundnacy. Indeed, pieces are far greater heard in isolation than listened to in-whole here, as there is quite a bit of sonic similarity on display. Some might defend this as a sophisticated take on the 'theme-and-variations' structure...I call it rigorous talent-gone-predictable.
" The moment when a memory aches " Beach House
|# 22 -||AllMusic|
|# 25 -||Beats Per Minute|
|# 6 -||Cokemachineglow|
|# 7 -||Consequence of Sound|
|# 45 -||DIY|
|# 19 -||Exclaim!|
|# 10 -||FILTER|
|# 7 -||Gorilla vs. Bear|
|# 3 -||MAGNET|
|# 36 -||musicOMH|
|# 22 -||NME|
|# 23 -||No Ripcord|
|# 4 -||Obscure Sound|
|# 9 -||Paste|
|# 10 -||Pazz and Jop|
|# 7 -||Pitchfork|
|# 4 -||PopMatters|
|# 15 -||Pretty Much Amazing|
|# 28 -||Rolling Stone|
|# 9 -||Spinner|
|# 27 -||Stereogum|
|# 32 -||The Fly|
|# 36 -||The Guardian|
|# 29 -||The Line of Best Fit|
|# 3 -||Under the Radar|
|# 7 -||Idolator|
|# 48 -||Piccadilly Records|
|# 5 -||Pitchfork Readers|
|# 5 -||PopMatters (Indie Rock)|
|# 5 -||Stereogum (First Half)|
|# 45 -||The Needle Drop|