Every instrument on Georgia is the result of two years of labor, is played by her. It’s a credit to her craft and attention to detail, the resulting offering is sonically and musically expansive, drawing from a wide range of sources and reconciling disparate genres and musical traditions into a cohesive whole.
With Georgia, a brisk slap in the face from a fresh and much-needed newcomer, she makes good on her early promise.
Georgia is an album that speaks of youth in urban landscapes, and scenarios familiar to anyone who has hung around South London long enough. It's an area that's culturally thriving, and it might have a new hero.
That willingness to step outside any boundary is what makes Georgia such a promising pop artist. A true maverick with years of experience under her belt, she takes control of all those disparate ideas with a confidence that far exceeds her age.
very uneven debut but with some outstanding moments. "Move Systems" was a great song and wish the rest of the album had the same groove and vibe.
i'm glad i was introduced to georgia with her second studio album, seeking thrills (my 2020 aoty), and not this. i mean this one is way too boring for a uk bass/electropop project. i should have never expected so much about this.
1 | Intro 0:55 | |
2 | Kombine 3:37 | |
3 | Be Ache 4:11 | |
4 | Nothing Solutions 3:23 | |
5 | Hold It 3:44 | |
6 | Digits 4:26 | |
7 | Cab Ride 0:14 | |
8 | Tell Me About It 4:02 | |
9 | Move Systems 3:31 | 100 |
10 | Heart Wrecking Animals 3:36 | |
11 | GMTL 2:56 | |
12 | You 3:39 |
#19 | / | Rough Trade |
#35 | / | Pigeons & Planes |