There’s No Leaving Now is a compelling listen from a songwriter whose default setting is extraordinary.
While still rooted in Dylan’s folk aesthetic, the music Matsson writes now is uniquely his voice.
There’s No Leaving Now makes use of much the same map work laid out by Matsson on 2010’s fantastic breakout The Wild Hunt.
This is an agreeable record, but it comes from a man who we know is capable of something sublime.
|# 73 -||PopMatters|
|# 40 -||The Needle Drop|