With sumptuous, enveloping production, fluid guitars soaked in reverb, and Yorke's voice at its most soulful, In Rainbows is Radiohead's leanest, warmest and most accessible record in a decade.
Using the full musical and emotional spectra to conjure breathtaking beauty, the collection is well named. It may have arrived via computer, but the vision is timeless.
Radiohead's sudden willingness to embrace their capacity for uncomplicated beauty might be In Rainbows' most distinguishing quality, and one of the primary reasons it's an improvement on Hail to the Thief.
This is still the Radiohead that finds straight-ahead pop structures gauche or just plain tired ... That said, In Rainbows takes tenuous steps back toward more straightforward territory, though with nothing as obvious as a verse-chorus-verse to speak of.
In Rainbows will hopefully be remembered as Radiohead's most stimulating synthesis of accessible songs and abstract sounds, rather than their first pick-your-price download.
To the casual listener ‘In Rainbows’ is exactly what you’d expect from Radiohead; intelligent, satisfyingly thought-provoking and sure to be lauded by all who appreciate the less conventional. For the fans it’s the latest evolution of something really rather special.
Thom Yorke and company have never stopped writing good songs-and this is even more apparent on In Rainbows, a seamless mash-up of the many Radioheads that have been unearthed over the years.
|# 3 -||A.V. Club|
|# 9 -||Drowned in Sound|
|# 3 -||NME|
|# 4 -||Pitchfork|
|# 6 -||Rolling Stone|
|# 6 -||SPIN|
|# 15 -||Consequence of Sound (2000s)|
|# 10 -||NME (2000s)|
|# 59 -||NME Top 500 of All Time|
|# 21 -||Pitchfork (2000s)|
|# 6 -||Pitchfork: The People's List|
|# 30 -||Rolling Stone (2000s)|
|# 336 -||Rolling Stone (All Time)|