Lonerism is more fully realized than its predecessor, which may have resulted in some unpredictable obscurity being thrown by the wayside.
Where the debut broke its sound into episodic chunks, Tame Impala now finds a singular sound in the cross-section of timeless pop and psychedelia.
You feel small while listening to Lonerism, but in a way that makes you appreciate how man, machine, and Mother Nature can harmonize.
An album that’s likely to appeal to fifty quid blokes who’ll dig the retro influences, people to whom the term ‘chillwave’ actually means something, dance fans and everyone in between.
Only two albums into their careers as Tame Impala, they've birthed a record on the precipice of their personal perfection.
Sounds phase in and out, drums thunder, guitars chime with warm, valve amp bite, voices are multi-tracked into luscious harmonies, snatched sentences of speech burble in the background, loops repeat and vocals echo distantly, like they’re drifting in from a radio in another room.
This album is incredibly intriguing and was executed beautifully.
This album is meditative, layered and confident, simultaneously cooler and more temperate than its predecessor.
Arrangements explode or implode, meticulous vocal melodies rub up against perverse sonic sensibilities, genres are hopped, and fidelity is determined by the pure haste of getting ideas down.
Lonerism takes you out of yourself, yet somehow deep within yourself, to lay a bedrock of familiar and warming sounds.
Even if at times there's a feeling Parker's trying to cram too many ideas into one piece, it's a record that will undoubtedly be used as a benchmark for guitar music of the near future.
While Lonerism does feel a bit more expansive, utilizing even more of mixer Dave Fridmann’s fancy effects pedals and studio wizardry, it uses those tools to delve even further inward.
With Lonerism, Tame Impala have doubled down on the kaleidoscopic refractions of their debut. The melodies are clearer, pushed up in the mix, given agency by their immediacy.
I can't say I understand why this album is already considered a classic; I thought it was quite overrated--
But still had a few really good tracks, but kinda boring for the most part.
This is a modern classic, this record set my world on fire. I had no idea a masterpiece could be less than a minute long (She Just Won't Believe Me).
" It feels like I only go backwards, baby "
Tame Impala simply made something very special with this album. This is the perfect neo-psychedelic rock album. ++ Very good in live performance.
This is how to make a modern day psychedelic rock album. As an album it is wonderfully put together, if only lacking a true masterpiece, hence why I did not give it a perfect score. But that should not stop anyone from hearing what might have been the best album of 2012.
|# 13 -||AllMusic|
|# 37 -||American Songwriter|
|# 21 -||BBC|
|# 5 -||Beats Per Minute|
|# 13 -||Clash|
|# 8 -||Cokemachineglow|
|# 41 -||Consequence of Sound|
|# 12 -||DIY|
|# 6 -||Exclaim!|
|# 1 -||FILTER|
|# 21 -||Gigwise|
|# 12 -||MOJO|
|# 2 -||musicOMH|
|# 1 -||NME|
|# 2 -||No Ripcord|
|# 1 -||Obscure Sound|
|# 16 -||Paste|
|# 6 -||Pazz and Jop|
|# 4 -||Pitchfork|
|# 7 -||PopMatters|
|# 4 -||Pretty Much Amazing|
|# 26 -||SPIN|
|# 48 -||Spinner|
|# 11 -||Stereogum|
|# 7 -||The 405|
|# 10 -||The Fly|
|# 6 -||The Guardian|
|# 34 -||The Line of Best Fit|
|# 37 -||Tiny Mix Tapes|
|# 11 -||Uncut|
|# 2 -||Under the Radar|
|# 3 -||Greg Kot (Chicago Tribune)|
|# 29 -||Piccadilly Records|
|# 2 -||Pitchfork Readers|
|# 41 -||The Needle Drop|
|# 1 -||Urban Outfitters|