In toning down the shock and awe, they’ve revealed the beating heart at the centre of their work.
If III sounds like a depressing listen, it’s not: it’s too exhilarating to be depressing.
There’s something to be said of their “if it ain’t broke” methods, and this latest entry is a testament to their skill. Make no mistake: (III) is a great album.
(III) is far and above the most human of the band’s three records.
I still can’t make up my mind whether Crystal Castles peaked too early and are now coasting, or if this is their new peak.
Leaving previous copyright issues behind, Crystal Castles (III) deals with significantly less sampling, making the album distinguishably innovative, in a Crystal Castles kind of way.
The most affecting songs on III don't sound like a band raging at the outside world, but rather experiencing a very personal kind of misery.
Crystal Castles aren't as cold as they appear to be, but they are calculating-(III) is an expertly produced album that, at just nearly 40 minutes, leaves fans wanting more.
The success of (III) is how it brings you close enough to the evil that men do to be shocked, repulsed, and affected by it.
(III) may not be as shocking or challenging as I or even II, but it does mark progression for Crystal Castles, with some highly impressive dance tracks in one aspect, and moments of haunting tenderness in another.
(III) is the sound of two people jumping off the edge of the world by their own free will.
III is less playful than the duo’s previous couple of offerings, but it’s thematic mood is much tighter and more fully realized.
Rarely is an electronic album like sparked with such radical confidence.
With III, Kath and Glass have refined their sound to a point of supreme clarity and confidence, but its progression is essentially conservative.
(III) is worthwhile in that it is an interesting take on dance music, yet that doesn’t seem quite enough for a group predicated on delivering an onslaught of emotional energy.
III is appropriately titled, as it’s a progression for the band, but one that is also inextricably linked to its predecessors.
In running time and number of songs, (III) may be their shortest album, but it’s also their most cohesive personal statement yet.
A quantum leap it ain’t – and Glass could do with putting her fangs back in – but ‘(III)’ has just enough up its sleeve to keep Crystal Castles on track.
It isn't what you'd expect with Crystal Castles. Normally you're left wondering at what point in proceedings they're going to try and set fire to your carpet.
The third record titled Crystal Castles is considerably less inviting and less extreme than its eponymous predecessors.
Instead of anarchist dance jams full of crunchy 8-bit noise, (III) is more like a static-filled radio station fading in and out of range.
What’s left is moodier and muddier, overly dark and rarely danceable, with little of the excitement or energy we’re used to from this band.
Crystal Castles try to go all deep on us, but instead make a flat and boring record that loses what made the band so great in the first place.
While Crystal Castles continues writing some decent electropop tunes, on III the Toronto duo sees fit to decorate all of them with generic drum timbres and an overabundance of reverb.
Now though – giving strength to that gloomy notion that most bands get more boring as they go on – it sounds more like music to get off your face to; there's very little on this third LP that could qualify as "experimental".
Here they went too refined imo, the weirdness was toned down a bit but i enjoyed most of the songs anyways
This record was the calm before the storm for Crystal Castles. The storm being, of course, the really awful follow-up album, and all the allegations against Ethan Kath, the famed producer of CC. However, we must accept some songs in here are truly fantastic, regardless of what kind of awful person produced them.
Plague, the opening track, is a great dance song with some really off-kilter drums. The chorus in here is so explosive and anxiety-inducing it's really great.
It is followed by one of ... read more
Perfect. I honestly loved this album more than their self titled it just has a better theme it sounds creepy, more interesting and its very unique my fav track is obviously transgender
1 | Plague 4:56 | 89 |
2 | Kerosene 3:12 | 95 |
3 | Wrath of God 3:07 | 85 |
4 | Affection 2:37 | 85 |
5 | Pale Flesh 3:00 | 82 |
6 | Sad Eyes 3:27 | 88 |
7 | Insulin 1:47 | 80 |
8 | Transgender 3:05 | 93 |
9 | Violent Youth 4:22 | 85 |
10 | Telepath 3:54 | 83 |
11 | Mercenary 2:39 | 80 |
12 | Child I Will Hurt You 3:33 | 84 |
#4 | / | NME |
#19 | / | Complex |
#22 | / | Earmilk |
#34 | / | Spinner |
#39 | / | Consequence of Sound |
#47 | / | Obscure Sound |
#48 | / | Treble |
#49 | / | Pitchfork |