He's a singularly idiosyncratic and brilliant songwriter, one hitting an arresting stride on this uniformly superb album.
His outlook is fresh and remains interesting. Mala may not stand as the zenith of the man’s catalogue, but it’s a highlight worth exploring and a dreamy journey for the taking.
It's best to think of Mala as a new beginning for Banhart than a triumphant return to form
There’s plenty of laid-back cool in Mala’s grooves, and even a bit of ’70s Eurodisco flash at one point. It’s a freaky situation all around.
On Mala he certainly could have done himself some favours by trimming away some lesser moments but there’s certainly a sense that’s he gradually becoming more efficient with his song writing
Like most Banhart albums, Mala is often easier to admire fondly than truly love, particularly when the maestro leans closest to his freak-folk roots
Mala proves to be much more easily accessible than some of his previous efforts whilst still keeping its charm, an album in the more conventional sense without the dense weirdness and cryptic lyrics that could often be found in his earlier work.
Devendra Banhart's eighth effort finds himself tapping into a particular sound particularly well, and coming out smelling of roses for it.
A more gratifying listen than the oft-grating Banhart had any right to deliver to non-believers in 2013.
It’s a satisfying, mystifying, well-imagined album that bears repeated listens in the grass under slowly passing clouds.
The record has an intensely intimate, navel-gazing feel, and meanders its way dreamily through Spanish folk, pastichey pop and techno.
Almost everything here is pretty good when you sit down and concentrate on it, but there little that jumps up and demands your attention.
With equal amounts killer and filler doled out, Mala is a cake that comes across as half-baked, which is sorrowful knowing that Banhart really wanted to have that cake and eat it, too.
Another excellent album by this extraordinary artist. Just listen to the first three tracks, you will be convinced (then continue and be ready for some more stunning songs with one or another surprise) or not, then simply stop listen to Devendra.
i listened to it once and i dont want to again, the lyrics and vocals piss me off so much, the music is okay though
He surely knows the art of fascination.
Not so weird anymore but i still like his melodies.
i listened to it once and i dont want to again, the lyrics and vocals piss me off so much, the music is okay though
1 | Golden Girls 1:35 | 50 |
2 | Daniel 3:05 | 75 |
3 | Für Hildegard von Bingen 2:35 | 50 |
4 | Never Seen Such Good Things 3:13 | 100 |
5 | Mi Negrita 3:24 | 75 |
6 | Your Fine Petting Duck 5:46 | 75 |
7 | The Ballad of Keenan Milton 2:12 | 75 |
8 | A Gain 1:35 | 50 |
9 | Won't You Come Over 3:35 | 75 |
10 | Cristobal Risquez 2:28 | 75 |
11 | Hatchet Wound 3:08 | 75 |
12 | Mala 1:08 | 75 |
13 | Won't You Come Home 3:31 | 75 |
14 | Taurobolium 3:16 | 25 |
#35 | / | Q Magazine |