My Bloody Valentine - m b v
Critic Score
Based on 34 reviews
2013 Rank: #3 / 939
User Score
Based on 457 ratings
February 3, 2013 / Release Date
LP / Format
Self-Released / Label
Kevin Shields / Producer
Shoegaze, Dream Pop / Genres
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CRITIC REVIEWS

100
Consequence of Sound

m b v creates a new timeline for My Bloody Valentine, and one that recalls the past in a broader and bolder light.

100
Pretty Much Amazing

Just as Loveless refined and expanded on the elements of early My Bloody Valentine, mbv draws on the past without forgoing the fierce originality that has defined the band from the outset. 

100
FACT Magazine

So un-self conscious and plain true is the rendering that it’s as if they unlearned those 22 years in order to feel how it was the first time; the final outcome is a peerlessly vivid depiction of an era MBV were integral in defining.

95
Paste

My Bloody Valentine successfully followed up a decades-old classic with m b v, an album that stands as confidently, beautifully and masterfully composed as its predecessor.

95
Under The Radar

If anything, the opening two-thirds of the album are the perfect re-submergence into the band's sound before m b v takes a turn for the sublime on its final three tracks. 

94
Sputnikmusic

While m b v is a record that is more than capable of standing on its own, at the same time it also sounds exactly like the sort of thing that we might have expected My Bloody Valentine to produce two decades ago, and this noticeable lack of allegiance to the present is perhaps the most potent thing about this entire revisionist affair. 

91
Pitchfork

Where Loveless felt effortless, mbv strains, pushing at its boundaries with a sense of pensive gloom. 

91
A.V. Club

Regardless of whether it’s an echo of the past or a bridge to the future, MBV stands as something potentially timeless—and immediately breathtaking.

90
The 405

m b v accomplishes the rare feat of being both timeless and in-the-moment; sounding like a '92 or '93 follow-up to Loveless would have sounded while simultaneously feeling as modern as any 2013 album with a RIYL: My Bloody Valentine on the press sheet.

90
musicOMH

It represents Shields and the band’s own fractious, turbulent journey from the creative hangover of Loveless into producing something entirely new, in turn leaving you thrilled and rather moved indeed

90
Beats Per Minute

A fully conceptualized 45 minutes of music that both logically progresses the triumphs of its predecessor and doesn’t feel out of place in the musical landscape of 2013. 

90
The Line of Best Fit

It triumphs not as a continuation of a musical conversation that Isn’t Anything and Loveless began, but by forging its own distinct modern dialogue, one that at once sounds rooted in its own imaginative time and place, perhaps even dimension, with any telling outside influences dissipating as soon as the songs truly take their pleasurable hold.

90
Exclaim!

Although it may not necessarily build on Loveless, there's no audible reason m b v shouldn't be spoken of in the same hushed, venerating tones.

90
Slant Magazine

A few twists and turns shy of perfection, m b v is the innovation and sonic warmth of My Bloody Valentine rekindled and made anew.

90
Billboard

The rhythms are tighter and more martial; the guitars are sharper, less tremolo'ed and blurred; the sounds a bit crisper. But with many of the songs, you can almost identify the song or moment from "Loveless" that is being evoked.

80
Spin

m b v seems like both the "logical next step" after Loveless (as if bands were subject to teleological pressures) and utterly contemporary.

80
No Ripcord

mbv follows its predecessor without aggrandizing its past resources, and as such, delivers a wallop of sweet, sweet distortion in a way that comes naturally to them.

80
DIY

There's clearly something here, there's an evolution in what Shields is doing. But, is it any good? Yes. Is it better than 'Loveless'? Probably not – and it's unfair to compare it to a predecessor that we've had two decades to live with and love. 

80
Drowned in Sound

The album’s major problem, more than anything, is that such a flabbergastingly brilliant end stretch hints at a better record that might have been

80
NME

‘m b v’ needs to be digested like chewing gum, left to swirl around in your system for months or years, before anyone will really be able to gauge how it measures up to ‘Isn’t Anything’ or ‘Loveless’.

80
AllMusic

More comforting than revelatory, M B V reaffirms that My Bloody Valentine are one of a kind; the subtlety to their melodies, instrumentation, and the way they blur together belongs to them alone.

80
Tiny Mix Tapes

It certainly speaks volumes that the group could reemerge in this climate and prove that no one is capable of exactly replicating what they do.

80
Time Out London

‘m b v’ is a brilliant record – every bit as dreamily turbulent as you’d hope – but it’s not simply a sequel.

70
PopMatters

m b v stretches My Bloody Valentine’s sound without changing it much, and you may not be surprised to find out this is an excellent headphones record.

70
FasterLouder

My Bloody Valentine still sound like no other band, but they’re stretching out to a large degree on this album, making their sound even more texturally dense.

Oct 9, 2017
Sappy
95
Favorite Tracks: Who Sees You, New You, She Found Now
Least Favorite: Nothing Is
Sep 11, 2017
MarkCooper
75
Fantastic first third, mundane second, and beautifully abstract final third. But it ultimately solidifies MBV as a staple group in contemporary music

Favorite Tracks: She Found Now, In Another Way, Who Sees You, Wonder 2

Least Favorite: New You, Is This and Yes
May 20, 2017
NR
A new sound in a genre that's been begging for something to happen for years. About as solid a return as it could've been.
Apr 10, 2017
80
Canciones Favoritas: She Found Now, Only Tomorrow, Who Sees You
Oct 10, 2016
NR
This one is almost nothing new, but i think it's as excellent as its two predecessors. One of the best reform albums of all time.


Added on: February 2, 2013