Tomorrow’s World is a strong enough debut: there’s no doubting the quality of the songs here, and Dunckel and Hayter make emotional, Radio 2-ready electronic pop with enough letting go of the handrail to remind you they’re onto something original.
Tomorrow's World resemble a cross between a 60s girl group and an 80s synth-pop act - kind of like The Shangri-Las meets Depeche Mode. Their self-titled debut is cinematic, grand and very dramatic.
This is more of a homage to the past than a shining vision of music’s future.
As a collaboration, 'Tomorrow’s World' is an interesting listen; better than that, it’s a good listen. But it never really goes anywhere, and feels almost too complete as a collection of cinematic love songs.