Praxis Makes Perfect only suffers in comparison to its predecessor in that it lacks a clear standout track in the same vein as Stainless Style’s ‘I Told Her On Alderaan’, but it works better as a cohesive record, dipping you into a strange mix of left-wing politics and cheery synth pop.
Concept albums only work if the tracks can stand on their own, and ‘Praxis Makes Perfect’ achieves this with consummate ease.
There is bound to be a big audience of discerning experimental indie fans who will love the subject matter.
The appeal of the album lies in its musicianship and perfect production. Synths and drum machines create a panic-laden sci-fi landscape; meanwhile, acoustic guitars slip deftly in and out of the songs.
Once again, Rhys and Hollon bring their very special brand of wit and creativity to the concept album, and it only whets the appetite to see which historical figure will get the Neon Neon treatment next.
Rhys is able to write almost any kind of song he likes at this stage, but when stripped back to their bare bones, the 10 songs which make up the latest Neon Neon venture identify as great pop songs.
It doesn't hit the peaks of 'Stainless Style', but is still a record worth investing time in.
The formula clearly wasn’t broken, so it hasn’t been fixed.
Praxis Makes Perfect's songs never quite hit the highs of its predecessor's best tracks, but it's a more coherent album, and still strangely rewarding in its own way. It's just impossible to separate from its subject.
Praxis Makes Perfect is an uneven mix of gleaming ’80s homages and tunes burdened by their own ambition.
The album is missing that quintessential “something”, their lyrics more pointed yet somehow less focused, their journey meandering, their use of narration forcing the concept upon the listener instead of letting it happen naturally.
#32 | / | Obscure Sound |
#41 | / | Q Magazine |
#78 | / | Under the Radar |