- The Redeemer

Dean Blunt - The Redeemer
CRITIC SCORE
69
Based on 9 reviews
2013 Rank: #548 / 937
USER SCORE
79
Based on
34 ratings

WHAT DO YOU THINK?
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CRITIC REVIEWS

90
Tiny Mix Tapes

Blunt’s sometimes off-putting presence is much easier to accept when he gives this much agency to the listener, recognizing again and again that we must all frame our experiences in our own ways or risk feeling nothing at all.

80
FACT Magazine

Faced with trying to communicate a feeling as raw as lost love, he too has reached for the cliches. They may be banal and apparently devoid of sincerity, but for Blunt, they capture our inability to say what we mean or mean what we say in these strange, post-ideological times.

80
Resident Advisor

These are assemblages, rather than organic pieces. And yet, paradoxically, the subject matter, concerning love and loss and ended relationships, is emotionally bruised. Blunt is painfully and genuinely opening his heart. 

80
PopMatters

In many ways The Redeemer is like a half remembered dream, an esoteric vision which could feel awkward and fragmentary, but instead elevates itself above the sum of its many parts to create something genuine, surprising and often transcendent.

70
Consequence of Sound

On The Redeemer, our wayward experimentalist bought himself a pair of sonic glasses and consequently found a surprising sincerity in himself.

61
Pitchfork

The Redeemer ends up somewhere between sarcasm and sensitivity, but can't dig deep enough in either direction to provide something that's worth returning to. 

60
NME

A strange record, but an intriguing planet to get sucked into.

Jun 25, 2015
EMR
77
Dean Blunt has indeed a unique and exquisite aesthetic. His crude voice reaches deep for the listener, mostly due to it's absence in most of the time on The Redeemer. His instrumentals, mostly sampled sound like tools that he manipulates in such a skillful way as well as his most frequent collaborator's voice, Inga Copeland. And he uses all of these tools to craft such off-putting compositions more as an orchestrator than anything else. Even so, Blunt is still a poet of many sorts. Not the ... read more
Jan 30, 2015
100
A masterpiece.
Dec 17, 2014
SiberianBreaks
77
A few bumps in the road here and there, but the simplistic nature of this album gives it such an eerie atmosphere which makes me want to revisit this more and more. It's truly a heartbreaking album with the way it flows and the lyrics. I'm not a huge fan of the MIDI-incorporated sound here, but I got to give it to Blunt for making one of the most compelling albums of the year.

Favourite tracks: The Redeemer, Papi, Brutal
May 13, 2013
loosey
100
artists should fuck with us like this more. we can take it
May 9, 2013
JustinSlick
80
Waaay better album then NME is letting on.
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May 1, 2013 / Release Date
LP / Format
World Music/Hippos in Tanks / Label
Experimental / Genres
Tags
END OF YEAR LISTS
# 23 - Clash
# 1 - FACT Magazine
# 22 - Gorilla vs. Bear
# 35 - The Quietus
# 26 - The Wire
# 2 - Tiny Mix Tapes
Track List
  1. I RUN NEW YORK
  2. THE PEDIGREE
  3. DEMON (feat. Joanne Robertson)
  4. FLAXEN
  5. V
  6. THE REDEEMER (feat. Inga Copeland)
  7. SEVEN SEALS OF AFFIRMATION
  8. WALLS OF JERICHO
  9. MAKE IT OFFICIAL
  10. NEED 2 LET U GO
  11. DREAD
  12. Y3
  13. PAPI
  14. MMIX
  15. ALL DOGS GO TO HEAVEN
  16. IMPERIAL GOLD (feat. Joanne Robertson)
  17. PREDATOR
  18. BRUTAL
  19. PAR
Contributions By
thisisabtlgrnd, KEITH1437, erik


Added on: May 7, 2013