On Drunk, you are grabbed by the ankles and pulled into the rabbit hole of Bruner’s mind. It’s a dizzying ride.
Bruner/Thundercat has tamed (to some extent at least) his scope and ambition through his various influences and thoughts to make his third full-length album a joyful, crazy, substance-fuelled epic in an area where most of his contemporaries would take themselves endlessly seriously.
No matter how many musicians he showcases, no matter how many sonic avenues he takes, no matter how many tracks he squeezes in, Thundercat sounds undeniably and defiantly like no other on Drunk.
On Drunk's numerous vignettes, Bruner presents his extensive musical interests in an effortlessly relatable style.
Though at times it casts a viscous shadow, Drunk is ultimately a full-bodied, intoxicating triumph.
Therein lies Drunk's true victory, offering its listener both solace and sunny vibes in its immediate presentation, and rewarding the focused observer with ruminations befitting a night of drinking that led to self-examination rather than glee. Regardless of what you're looking for, Thundercat is ready to serve you. Drink up.
The third album from bassist/songwriter Thundercat is whimsical and somber, funny and meaningful, sometimes all at once. Drunk's oddball soul confronts the challenge of just trying to live life.
It takes a special kind of artist to create a sound both familiar and groundbreaking. Thundercat continues his upward trajectory in that regard here.
It’s sozzled, it’s high as a kite and sometimes it’s just downright psychotic. But it’s because of the maniacal shifts in tone, its massive melting pot of sounds and Thundercat’s hysterical (sometimes in more ways than one) yet honest ramblings that Drunk will probably go down as his magnum opus.
Thundercat’s 23-track third album, Drunk, takes you down a rabbit hole and turfs you out in his lopsided wonderland of funk, soul, hip-hop and soft rock, with guest characters including Lamar, Pharrell, saxophonist Kamasi Washington and Wiz Khalifa.
Drunk is an impressive record which commands multiple listens as much by its quality as its complexity. It shows off Bruner at the height of his powers as an artist shapeshifting through genres but always leaving his scent in the air.
‘Drunk’, as out-there as it can be, is an album totally high on its own unique ideas.
If it sits well with him, it sits well with his listeners, and in that, Drunk is a record of R&B fusion that feels good from start to finish, masturbation jokes included.
Additional guests Kendrick, Pharrell, and Wiz Khalifa add to the star power, but the main attraction is Bruner's singular combination of tremulous yet fluid bass and aching falsetto.
As a whole, Drunk is alternately frustrating and fascinating—much like the titular state of being—in its willingness to follow its creative muse whenever and wherever it may lead.
It’s an enjoyable, occasionally virtuosic romp, fronted by Thundercat’s smooth soul harmonies, which lend proceedings the lustrous sheen of Earth, Wind & Fire.
A stoner’s wet dream, Drunk is a true oddity that meanders along for 50-plus minutes with the narrative levity of a hallucination. Patchy and unfiltered, but charming as all hell, it’s a candid reflection of its creator.
Though Drunk brings a heaping helping of Thundercat's spectacular bass playing and sense of humor, the album is also rife with filler and underwritten jazz motifs.
With all of this album’s curious truncated charm, there remains a sense of longing. Not in a leaving-them-wanting-more way, but more that Thudercat’s work could be something more musically expansive.
I've listened to this record so many times and the lines I've heard over and over still bring sincere laughs, smiles, melancholy, ect. This record just oozes with passion and....yes...it has problems... but I love it to death! Speaking on my own personal experience, I have a hard time being happy with any form of art. I almost need a sense of relatability in art and a lot of the time it's in deep emotional thinking and writing. Here it's just so fun, weird and smart how could I not smile?
(Analbumaday Day 169)
This was…weird! Not in a bad way, more of a…no idea what’s happening, but my attention is provided! My immediate criticism is, this was too long. It lost the charm by the like 16th track, out of 23? I know a lot of it is short, but it feels so unnecessary and boring at times, I don’t know what Thundercat was going for, or if it succeeded or not. Still, there were plenty of fun beats, the popular “Them Changes” is of course a fun one, ... read more
Drunk is filled to the brim with ideas, some are well realized and great fun, others are... less that.
There's no doubt that Thundercat is one of the best bassists alive, but he's also a great producer, and just seems to work really well with other great musicians, because he keeps appearing and slaying on projects by Kendrick Lamar, Flying Lotus, Silk Sonic, Gorillaz etc.
This album greatly portrays his skills, with fantastically written, performed and produced tracks, like Uh Uh, Lava Lamp, ... read more
An inconsistent project that has many great highlights. It would me much better if some of the unnecessary bass tracks were cut. His comedic appeal is easily his best here though.
1 | Rabbot Ho 0:38 | 78 |
2 | Captain Stupido 1:41 | 81 |
3 | Uh Uh 2:16 | 86 |
4 | Bus In These Streets 2:24 | 81 |
5 | A Fan's Mail (Tron Song Suite II) 2:38 | 84 |
6 | Lava Lamp 2:58 | 89 |
7 | Jethro 1:34 | 84 |
8 | Day & Night 0:37 | 77 |
9 | Show You The Way 3:34 feat. Michael McDonald, Kenny Loggins | 90 |
10 | Walk On By 3:19 feat. Kendrick Lamar | 92 |
11 | Blackkk 1:59 | 77 |
12 | Tokyo 2:24 | 82 |
13 | Jameel's Space Ride 1:09 | 78 |
14 | Friend Zone 3:12 | 87 |
15 | Them Changes 3:08 | 94 |
16 | Where I'm Going 2:09 | 80 |
17 | Drink Dat 3:35 feat. Wiz Khalifa | 79 |
18 | Inferno 4:00 | 83 |
19 | I Am Crazy 0:25 | 73 |
20 | 3AM 1:15 | 81 |
21 | Drunk 1:42 | 80 |
22 | The Turn Down 2:29 feat. Pharrell Williams | 81 |
23 | DUI 2:18 | 83 |
#1 | / | BBC Radio 6 Music |
#1 | / | Passion of the Weiss |
#4 | / | OOR |
#7 | / | Dummy |
#8 | / | The Guardian |
#9 | / | Mixmag |
#9 | / | Rough Trade |
#9 | / | The Skinny |
#12 | / | Drowned in Sound |
#12 | / | SPIN |