Like any modernist piece of work, Loud City Song consciously walks through paths that have been beaten before, but unravels threads out into new corners and ushers you in; records of this complexity and depth rarely feel so inviting.
It’s certainly Holter’s most accomplished and imaginative album
It’s an impressive record to listen to—the compositions are even more beautiful than Ekstasis, even though they’re often more fragmented—but it’s also a frightening depiction of what it feels like to have a whole population making you up in its head.
Loud City Song is Holter's most polished work to date, and another example of how she upholds and redefines what it means to be an avant-garde singer/songwriter.
Excitingly, ‘Loud City Song’ has an immediate pop whirl that should make Holter’s genius apparent to all, without sacrificing the California Institute Of The Arts graduate’s knack for intricacy.
Whilst it remains unpredictable throughout, Loud City Song is never anything less than completely thrilling.
Don’t let the singular beauty of Loud City Song fool you. Holter may write stunning pop-tinged songs, but she’s an experimental artist through and through.
With ‘Loud City Song’, Julia Holter marks the scene’s zenith, continuing her journey from obscurity, through marginality and onwards into accessibility.
The power of Loud City Song, then, lies not in the concepts upon which it deliberates, nor even the means through which it deliberates upon them, but rather how it translates these heady notions of the individual vs. the social, the Idea of the city, etc. into warm and loving compositions that first and foremost feel real.
Loud City Song is one of those records so full of un-jaded wonder and attuned to the secret music of ordinary things that the world looks a little bit different while it's playing.
It’s the explorations of sound and bold yet gentle orchestrations that makes Loud City Song a perfect example of Holter honing in on her talents by evoking mystery but retaining enough openness to keep her sound in constant flux.
It’s a jaw-dropping accomplishment, one of those records that’s almost pointless to listen to as a series of individual songs – tracks are mini symphonies in themselves, and to break Loud City Song down into tracks would be missing the point.
If Holter's stated themes sound like bullet points on a Media Studies 101 syllabus, fear not: There's nothing prosaic about this entrancing, chamber-pop masterpiece.
Loud City Song is a sightseeing trip with a person fully able to portray the objective beauty of the sights, as well as her own take on them.
This is music that takes a while to comprehend, designed for longevity over quick appeal. For those of you wistful for this approach, look no further.
This is a clever, sophisticated album that still oozes warmth and affection. Superficiality and loneliness have never sounded so tender and dazzling.
It feels absolutely enlightened. At times extremely minimal, at others grandiose, always compelling. Album of the year.
Atmospheric soundscapes that never quite reach the heights that they could but are still nice to get lost in.
Fully artistic and enchanting, it reaches for the stars on her qwn way.
A big hug.
Brilliantly composed, mature work of art that trumps any music that has been released this year, or maybe even the past decade. Earned a spot in my vinyl collection.
This is a quirky experimental album, interesting themes and lyrics, OK songs, good production but no memorable melodies at all and very little emotion.
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|# 39 -||Drowned in Sound|
|# 68 -||eMusic|
|# 43 -||FasterLouder|
|# 47 -||MOJO|
|# 34 -||musicOMH|
|# 14 -||No Ripcord|
|# 11 -||Obscure Sound|
|# 49 -||Pitchfork|
|# 42 -||PopMatters|
|# 51 -||Rough Trade|
|# 1 -||Sputnikmusic|
|# 36 -||Stereogum|
|# 18 -||The 405|
|# 30 -||The Guardian|
|# 2 -||The Line of Best Fit|
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|# 3 -||Tiny Mix Tapes|
|# 15 -||Uncut|
|# 113 -||Under the Radar|