This ought to be the album that launches Spectrals out of the expanses of the insider underground. And if it doesn’t, it’s still one of the best records of 2013.
Last time out, the slick surfaces and studied melodies let the tunes slip right past; this time they are more likely to stick.
His new-found confidence oozes from the songs here; it may just be his first steps in the quest to emulate his old rock 'n' roll heroes.
They've managed to cultivate a real sense of personality over their first two records on the backs of good-intentioned charm, lyrical wit and relatability, and Louis' evolving, idiosyncratic vocals.
There’s still enough dusty amplifier buzz and garagey thump to keep indie aesthetes happy, but intentionally or not, Spectrals now sit in a sonic nook which most resembles the stolid pre-punk orthodoxy of pub rock
Contrary to its name, Sob Story is a good time, but the party clears out as soon as the record stops spinning.