Oneohtrix Point Never - R Plus Seven
Critic Score
Based on 25 reviews
2013 Rank: #73 / 939
User Score
Based on 174 ratings
Your Review

CRITIC REVIEWS

100
Tiny Mix Tapes

Despite the coded sound files, interactive website, and spellbinding videos, the album exists independently as a case for disjointed representations, cultural citation, and enchanting music.

100
The Skinny
A visionary artist at the height of his powers, this is in many ways his most accessible and uplifting work so far.
91
Pretty Much Amazing

R Plus Seven delves into sound with a precision and clarity that pays tribute to the technical genius that birthed the synthesizer.

90
Consequence of Sound

The album focuses on discrete melodic moments composed from scratch, a new process for Lopatin that he melds perfectly with old strategies. Tensions rise from textural contrasts, but there’s also raw beauty in R Plus Seven‘s melodies and progressions.

90
Beats Per Minute
After fearless reinventions of sound on three consecutive releases, it’s good to know some things never change.
85
The 405

In that Lopatin avoids half measures, his fourth album is business as usual. In almost every other aspect, he breaks new ground, and does so triumphantly.

84
Pitchfork

R Plus Seven doesn’t have quite the disembodied weirdness of Replica, but it’s no less accomplished, another intriguing chapter from an artist whose work remains alive with possibility. 

80
musicOMH

R Plus Seven is as singularly compelling as any of his previous releases, but in his desire to transcend glossy hyper pop and introspective electronica into something new and fascinating, Lopatin has delivered a masterful debut for his new label.

80
The Line of Best Fit

This is music with elastic boundaries, that will accommodate the interpretations that you choose to place on it, and bear them with a surprising lightness of touch.

80
AllMusic

For the most part, the album showcases Oneohtrix Point Never's restlessness and ambition in flattering ways; if it's equal parts mystifying and beautiful, it's also a puzzle well worth trying to figure out.

80
PopMatters

R Plus Seven deemphasizes Replica’s sense of walled-off claustrophobia, letting thick puddles of light filter into Lopatin’s lair of sound.

80
Spin

Nothing lingers long on Seven, but you can hear just how quickly OPN gobbles up EDM's bass frequencies, the Max-DSP moves of Fennesz, Ryuichi Sakamoto's synthetic silkiness, even the frenetic arpeggios of Glassworks and sampler chops of footwork.

80
No Ripcord

Lopatin ultimately leaves us with a marvelous instance of artistic clarity. A moment where concept and execution synchronize perfectly and allow us the unique opportunity to experience sound as a purely emotive device.

80
Exclaim!

Amidst strong, seismic chords from his trademark "woozy choir" vocals comes an emphatic, melodious organ solo that might have sounded out of place on his previous records. On R Plus Seven, it just sounds like triumph.

80
Clash
Disquieting divinity, duly delivered.
70
FACT Magazine

Strangely for an album so heavily peopled with voices (none of them identifiably Lopatin’s), R Plus Seven feels isolated and eerily post-human. Musically it may be Oneohtrix Point Never’s most accessible work yet, but the emotional pull it exerts is minimal.

70
Drowned in Sound

R Plus Seven can be confusing, jam packed with samples and contrasting elements, but it's never overbearing. At the same time it is hard to put your finger on exactly what is appealing about it.

70
Resident Advisor

Lopatin has clearly served notice that he's no longer the man behind Returnal, and it will be interesting to see where he moves from here. But this constant activity makes R Plus Seven anxious and unsettling, and often difficult to immerse yourself within.

70
Rolling Stone
It's holy music, even if wholly weird.
70
Loud and Quiet

In hiding peaceful gems amid so much sonic crossfire, Lopatin has made perhaps his most curious move yet.

60
NME

Whereas his early kosmische-styled material had a strong emotional undertow, his debut for Warp feels a little more arch.

50
Under The Radar

This is the kind of record that will excite bearded experimental aficionados, who are happy to excavate the never-ending sonic crannies that punctuate this avant-garde affair. For this rest of us, these computerised structures are a difficult trip to enjoy. 

Sep 1, 2015
SiberianBreaks
68
Daniel Lopatin continues to impress me with the sonic boundaries he pushes. I can see the vaporwave influence here, but luckily it doesn't fall down like most vaporwave albums do. It's an abstract piece that does retro-futurism in a captivating way and it doesn't just scream "a e s t h e t i c s." The songs themselves are all very good concepts, but fail to really stick with me. The ambient soundscapes and glitchy wall-of-sounds are all there, but they aren't as tightly arranged as ... read more
Oct 5, 2013
Antonis
85
Postcards from a melancholic future.
Oct 2, 2013
93
This album is to me like catching the breath of capitalism. The western society with all it's floating networks of shiny components turned into compositions. To me it is not a tribute, rather a slightly sarcastic and melancholic portrait of our time. Still, this record may lack some of the magic of "Replica".
Jun 20, 2017
Sorrugis
58
While I enjoyed Daniel Lopatin's previous release under the 0PN moniker, 2011's critically acclaimed Replica, for its masterful and creative sound craft, one of my bigger gripes about the album was the lack of attention paid to songwriting. Some samples would just loop on and on without purpose, sounds would come in and out for no reason, and songs would occasionally end abruptly leaving me wanting more.

R Plus Seven unfortunately doubles down on this fault to the point where, even though I ... read more
May 14, 2017*
mz
80
math equation with angels.


Added on: June 19, 2013