Kesha has shown phenomenal strength of character in recent years and Rainbow, the most colourful of comebacks, captures her new lease of life and it feels so right.
Rainbow, her rich, masterful third LP, is far more than a kiss-off to old demons — it’s an artistic feat, as Kesha unites stylistic forays with her sharp, weathered lyricism.
Instead of dwelling on what isn’t said on the record, she chooses to use her experiences to find the strength to move on. And so we get the most authentic Kesha album yet, and it’s a triumph.
It’s a bold, focused, universal statement about freedom—from self-hatred, from paralyzing internal conflicts, from gender expectations, from negative influences, and (especially) from other people’s shit.
The suggestion Rainbow successfully posits is that the woman who lurked somewhere behind the Ke$ha image might be every bit as fierce and screw-you as her persona, and a substantially more eclectic and idiosyncratic musical force to boot.
It’s clear the making of Rainbow was an incredibly cathartic journey for her and as a fan, it’s deeply fulfilling to be able to finally experience it.
Rainbow is simply the record she needed to make. And at a time where most pop music is either designed by committee or drowning in beigeness, it’s also the kind of individual and achingly honest record we needed to hear.
Rainbow ... is musically backdated but emotionally upgraded, replacing dumb thrills with vocal skills and genuine personality.
The result is a revelation. Where previous albums had been bland landfill electro-pop rendered even more indistinguishable through her heavily autotuned vocals, Rainbow offers a range of approaches, from pop and R&B to country and funk, applied to material that brings greater depth to her characteristic sassy attitude.
It’s also an artistic achievement: she has successfully shed the hot mess synth-pop party-girl shtick to reveal her true colours: lover of rock 'n’ roll, soul and country.
Kesha channels that drama into the best music of her career – finding common ground between the honky-tonks she loves and the dance clubs she ruled with hits like "Tik Tok" and "Die Young," between glossy beats, epic ballads and grimy guitar riffs.
While the drastic shift in musical styling that drives Rainbow's 14 tracks risks sounding jumbled, Kesha tastefully executes each genre she dabbles in.
“Defiant” may be a term too often misused in an age of empowerment feminism, but it’s absolutely fitting for this album.
The extraordinary vision that Kesha has put forth ensures that in due course, Rainbow will be remembered on its own merits: not only as the unquestionable best album she’s ever put out, but also one of 2017’s finest pop releases.
Californian pop hero Kesha returns with a defiant country and garage rock-tinged triumph.
Sometimes she'll slide into cliché, usually by recycling therapy-speak, but how she pairs these credos with veiled confessions is as striking and moving as her party songs are weird and funny. By slyly alternating between these two extremes throughout Rainbow, Kesha winds up with a comeback that's fully realized emotionally and musically.
The album captures a mixture of genres that come together to create a really vulnerable and organic sound. Kesha uses Rainbow to let her listeners into her struggles, thoughts and true personality, something missing from her previous releases.
Rainbow may not contain the electrobops you expect from Kesha Sebert, but at its heart, it does possess what drew everyone to her in the first place: confidence, sonic booms, and an assurance that everything will be alright when the storm clears.
The biggest lesson of Rainbow should be that our days of underestimating the ambitions and abilities of Kesha Rose Sebert are over.
Make no mistake, Rainbow is steadfastly, stubbornly about embracing a new identity.
Rainbow probably wouldn't pass the rhetorical test of critical objectivity: If this weren't a Kesha album, it's unlikely anyone would notice it. But while it might not be the discovery of a new talent, it's certainly the deepening of an existing one.
Rainbow is joyful and affirmational and sad and sexy and strange, sometimes all at once, and has just enough charm to overcome its strange pacing, stylistic incoherence, and a couple of weak tracks (the Ben Folds-produced title track being the worst offender). It’s easily the singer’s strongest work, and will surely run circles around most of the year’s mainstream pop offerings.
On Rainbow, Kesha artfully reinvents herself without losing the fun, wild energy that made her such an appealing pop figure in the first place.
Turn this album into an EP of its best six or seven cuts and it would be 5/5 material, because Rainbow is a smart, sassy, well-calibrated return to the fray.
Rainbow is both stranger and more normal than you expect; uneven – does Kesha really rhyme “highway” with “Hyundai”? – but likable.
'Rainbow' is a muddled hotch-potch that offers little beyond the fact it heralds her return. It's great to have Kesha back - it really is - but let's hope the quality improves in future.
fav tracks:
Woman (X)
Praying (X)
Hunt You Down
Boots
Old Flames
Woman is keshas best song
I still think about this record two years later and to be honest, I still love most of it. One of the most solid pop albums of 2017 if not the decade, and Kesha's best album, undoubtedly.
This is the album Kesha was destined to make. Not only it’s a reflection of where she comes from as an artist, it’s also the emancipation of what defines her as a person. Beautifully eclectic, ‘Rainbow’ is an album to look out for.
This album is quite the mixed bag for me. I think 4 of the first 5 tracks are top tier songs in her catalog, but then it kind of goes off the rails from there. I think Boogie Feet is pretty bad and I don't care for Old Flames a ton mainly because I've never been a fan of Dolly Parton's voice. I respect this album a lot though. It's finally what Kesha really wants to do and you can feel how genuine it is.
Favorite Tracks: Let 'Em Talk, Praying, Bastards, Hymn
Least Favorite Tracks: Boogie ... read more
Kesha evolves on this album without losing the fun of her previous projects.
Favourites: Let 'Em Talk, Woman, Hymn, Praying, Learn to Let Go, Rainbow, Spaceship
Least favourite: Godzilla
"As I leave this Earth and sail into the infinite cosmic universe, the wars, the triumphs, the beauty, and the bloodshed, the ocean of human endeavor, it all grows quiet, insignificant. I'm nothing more than recycled stardust and borrowed energy, born from a rock spinning in the ether. I watch my life backwards and forwards and I feel free. Nothing is real, love is everything, and I know nothing"
1 | Bastards 3:51 | 83 |
2 | Let 'Em Talk 3:05 feat. Eagles of Death Metal | 81 |
3 | Woman 3:16 feat. The Dap-Kings | 86 |
4 | Hymn 3:25 | 80 |
5 | Praying 3:50 | 95 |
6 | Learn to Let Go 3:37 | 86 |
7 | Finding You 2:52 | 79 |
8 | Rainbow 3:38 | 84 |
9 | Hunt You Down 3:17 | 79 |
10 | Boogie Feet 2:53 feat. Eagles of Death Metal | 75 |
11 | Boots 3:03 | 83 |
12 | Old Flames (Can't Hold a Candle To You) 4:26 feat. Dolly Parton | 78 |
13 | Godzilla 2:08 | 76 |
14 | Spaceship 5:15 | 81 |
#3 | / | Cosmopolitan |
#4 | / | People |
#4 | / | Rolling Stone |
#7 | / | Time |
#8 | / | NPR Music |
#9 | / | Yahoo Music |
#14 | / | Entertainment Weekly |
#16 | / | Billboard |
#21 | / | Complex |
#31 | / | Earbuddy |