- Love What Survives

Mount Kimbie - Love What Survives
CRITIC SCORE
80
Based on 16 reviews
2017 Rank: #77 / 507
USER SCORE
75
Based on
62 ratings

WHAT DO YOU THINK?
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CRITIC REVIEWS

100
The Skinny

For their third LP, Mount Kimbie have lost that previously razor sharp focus. Love What Survives offers a scattergun approach to ideas, sounds and voices, and it could be their greatest record yet.

84
Pitchfork
The duo’s music was always full of the small details, but they now conspire toward something bigger.
80
Loud and Quiet

Three albums in with ‘Love What Survives’, they’re moving forward once again with a floating mix of motorik beats, woozy pop and some solid vocal collaborations.

80
XLR8R

Some might be disappointed that, for now, they’ve moved further away from dance music. But in the process, they’ve made a bewitching kind of music that’s uniquely their own.

80
Crack Magazine

Sure, the bar may have been set lower this time, but there’s no question that Love What Survives reinstates Mount Kimbie’s reputation as credible musical innovators.

80
The Guardian

On their third album, the band’s instrumentals radiate wit and warmth, like mid-80s New Order sloshing around in a sun-kissed sea – but it’s as a foil to some of Britain’s most idiosyncratic artists that Mount Kimbie really prove their mettle.

80
Resident Advisor

Love What Survives won't make Mount Kimbie household names, but it finds them in a new creative space that suits them.

80
DIY

It’s more of a slow burner – not so instantly gratifying as previous works – but the atmosphere of these tracks really gets beneath you. It’s their most affecting work to date by some stretch.

80
AllMusic

Ultimately, Mount Kimbie strip away any musical excess on Love What Survives, and leave raw vivid emotion.

80
Under The Radar
With four guest vocalists, each with very different ranges and vocal sentiments, Mount Kimbie have done well to piece together a tight album from what otherwise could very quickly have become a disparate collection of tracks.
80
Clash
On each listen ‘Love What Survives’ is a record full of raw honesty, both musically and artistically, and is worth your undivided attention.
75
A.V. Club

A record that scans more like a playlist—an expertly curated “Late-Night London” mix linked by general atmosphere and autobiographical connection—rather than an individual work of art.

75
Northern Transmissions
In a world where (post-)dubstep seems to have been wiped clean from every iPod and Spotify playlist, Mount Kimbie is making music for a new era, marrying their talent for engaging, propulsive instrumentals with a generous helping of young British talent.
70
Exclaim!

There's nothing here that really grabs you on the first listen, but return to the record a few times and you'll end up carrying songs like the aforementioned "Marilyn" and "T.A.M.E.D" around with you for days.

70
Drowned in Sound

There are parts of Love What Survives that you’ll want to dive straight back into again ... and then others that are a little more ephemeral. One thing that is true throughout though: Mount Kimbie continue to broaden their scope and push the bounds of we can expect from them as a band.

65
The 405
Let’s hope Mount Kimbie strike a better balance between showing off themselves and their friends next time around.
Sep 8, 2017*
Pmarf46
89
With this album, Kimbie have completed a fantastic trilogy of records which solidifies their discography as one of the strongest of any electronic outfit this millennium. Building more on the live instrumentation of their second LP rather than the sample-driven focus of the first, the duo go for ethereal compositions this time that swirl and crescendo and then sit and simmer, hitting all the right notes at the right times. Most of the tracks are truly wondrous listens. Kimble generally know ... read more
Sep 18, 2017
45
Yawn. Painfully boring, not a single interesting thing happens in this entire record. The features are disappointing, the production is lackluster. I walked away from this project without hearing a single song or even moment of a song that is worth returning to.
Sep 14, 2017
72
The high moments are profound, especially the features. However, its eclecticism creates an album that doesn't feel continuous, as though a handful of great ideas were pursued simultaneously. I'll be returning to the highlights frequently but will let some of the tracks fade from my memory. 75/70
Sep 10, 2017
72
Third album for the electronic duo from London, through which, it makes a very interesting and ambitious proposal to examine the indie form, from post-punk to post-garage.
And judging from result, it's worthwhile.
Sep 8, 2017
PaulyZ
73
TRACK LIST:

Four Years and One Day (7.0)
Blue Train Lines (8.0)
Audition (7.0)
Marilyn (8.0)
SP12 Beat (6.6)
You Look Certain (I’m Not So Sure) (7.5)
Poison (6.4)
We Go Home Together (7.7)
Delta (6.8)
T.A.M.E.D (7.6)
How We Got By (7.5)
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Track List
  1. Four Years and One Day
  2. Blue Train Lines (feat. King Krule)
  3. Audition
  4. Marilyn (feat. Micachu)
  5. SP12 Beat
  6. You Look Certain (I’m Not So Sure) [feat. Andrea Balency]
  7. Poison
  8. We Go Home Together (feat. James Blake)
  9. Delta
  10. T.A.M.E.D
  11. How We Got By (feat. James Blake)
Contributions By
morgchrist, thisisabtlgrnd, patton


Added on: July 12, 2017