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Mischievous from the word go, Yeasayer's second album Odd Blood opens with a musical red herring. With its clunky electronics, cow bells and slo-mo vocals, The Children sounds like a nasty 1970s Peter Gabriel single played at 33rpm. It's best taken as a palate cleanser, providing a clear break between the stately mystique of their debut All Hour Cymbals and the unashamedly crowd-pleasing yet deceptively complex remainder of the new album.

When Yeasayer debuted in 2007 with All Hour Cymbals, they were a Brooklyn art-pop group intriguingly out of step with their peers. They carried an air of mystery and surprise, and at their best ("2080", "Sunrise") managed to make offbeat mysticism and off-kilter pop music seem attractive and exciting. They were basically a rootsy, classic rock-ish version of MGMT then. Their fate seemed doubly sealed by "Tightrope", their laser-focused and damn near best-in-show con tribution to the all-star charity compilation Dark Was the Night.
| # 19 - | A.V. Club |
| # 22 - | Amazon |
| # 5 - | American Songwriter |
| # 16 - | Consequence of Sound |
| # 8 - | Drowned in Sound |
| # 13 - | musicOMH |
| # 15 - | NME |
| # 46 - | No Ripcord |
| # 9 - | One Thirty BPM |
| # 47 - | Paste |
| # 47 - | PopMatters |
| # 15 - | Q |
| # 17 - | Rhapsody SoundBoard |
| # 26 - | Rolling Stone |
| # 12 - | Spin |
| # 14 - | Stereogum |
| # 8 - | Time |
| # 39 - | Uncut |
| # 29 - | Amazon (Mid Year) |
| # 12 - | NPR Listeners (Mid Year) |