Masters Of The Burial

Honey from the Tombs, Amy Millan’s first solo album, had one great song (“Skinny Boy”), a few other compelling tracks, and a bunch of stuff that seemed to just drift by. The singer-songwriter who’s in Stars and often contributes to Broken Social Scene was never expected, of course, to produce something as immediately likeable or formally ambitious as those overpowering indie presences. Nevertheless, her solo output so far always seemed, well, pretty modest in comparison.