Those looking for the raw catharsis of ‘For Emma…’ will need to cop their misery fix elsewhere – ‘Bon Iver’ is the sound of a man making peace with the world, saxophones and all.
A record to respect for its craft, rather than worship for its greatness. Listen to it enough times and you may convince yourself you love it. But let’s not kid ourselves that it’s up there with their best work. It just isn’t.
It’s this combination of unforced sonic gorgeousness and a refusal to settle for the obvious that puts Clark in a field of her own, and makes for a strange and wonderful record that shows no mercy in blowing your mind.
If all you can see is a tangle of influences then you’re standing too close to the picture, and when ‘Skying’’s visions come into focus, it not only reaffirms that ‘Primary Colours’ was far from a fluke, but that they could go so much further.