Death Grips are in a place far removed from any other major rap acts, and Year Of The Snitch feels totally alien. It is an exhilarating release that doesn’t let up, and proves that six years on the group are still a force to be reckoned with.

Year of the Snitch, though markedly easier on the ears than their other albums, is a complex, layered listen, aided in no small part by its remarkable commitment to a concept none of us may ever truly come to grasp.

Death Grips open up their sound a lot and let singular hooks drive more than ever. While it’s a step in an interesting direction, the group’s insistence to hold onto their chaotic noise may still feel like a lot for most listeners.

Featuring a truly bizarre list of collaborators, Year of the Snitch proves their inimitable sound still has legs, even if listeners will have to work harder than ever to reap the rewards.

The prolific noise rap project drills down on their sonic signature and remains politically agnostic and persistently agitated.

Not one of their releases is the same as another, and with Year of the Snitch, they continue to break boundaries and expectations. The record is another example of true experimentation with their sound along with an uncompromising work ethic and a thirst for originality.

Overall, Year of the Snitch feels like a personal experiment for Death Grips, but tilting towards a more mainstream sound. Not to say that the band has compromised its experimental attitude, but there is a definite leaning towards a more straightforward form, which in this case arrives with the heavier implementation of rock music motifs.