The rapper has produced a lush, complex, extraordinarily accomplished album that invites us mere mortals to peer in at his life behind the velvet rope.
Astroworld finally hit the Earth like a meteor, and it's an epic ride for the senses riddled with illustrious features, heavyweight production and is the most polished Travis Scott has ever been.
Astroworld will be remembered as the moment Travis Scott produced a piece of music worthy of the riots he is capable of inducing.
AstroWorld shows off how talented Travis Scott is and how he lives up to the hype.
Never missing a beat, a synth, a feature, a voice. Overall, Astroworld is an amazing project and if we were to rank all of Travis Scott’s projects, this album is number one.
While Astroworld has some slight flaws, the project is Travis' best, most-progressive and most-well-rounded album to date. Hip-hop’s token rager is becoming a truly unstoppable force.
By emphasizing his vocal performances and finding the best middle ground he ever has with his bevy of superstar collaborators, he’s made Astroworld a theme park worth revisiting whether you came in as a stan or a skeptic.
His third studio album, Astroworld, feels like the grand opening of a vision that took a half-decade to perfect, still using the same psychedelic synth warps, diamond-cut drums, and reptilian hooks that initially skyrocketed him to stardom.
Astroworld undoubtedly feels more like a spectacle than did Birds in the Trap.
Astroworld maximizes Scott’s strengths in ways that, for once, don’t feel like his ambitions are out-sizing him.
The music might take your breath away, if the worst of the lyrics don’t make you roll your eyes. He’s very good at what he’s good at, but he’s not what you’d call well-rounded.
Travis Scott continues pushing the psychedelic boundaries of trap on Astroworld, but doesn't quite stick the landing.
In the sixth year of his career, Astroworld marks the first time that his music has actually matched the aspirations of his art-crunk bluster, rock-star stage dives and aisle-crossing fashions.
To equate it to America’s most reliable big-budget form of entertainment: it’s not great the way The Dark Knight is but in the way Thor: Ragnarok is. It doesn’t work because of truth and depth and pathos but because the right people and a big enough budget came together to make something spectacularly entertaining.
#1 | / | Uproxx |
#2 | / | Clash |
#2 | / | Complex |
#3 | / | DJBooth (Hip Hop / R&B) |
#4 | / | Okayplayer |
#6 | / | Highsnobiety |
#6 | / | Rolling Stone |
#7 | / | Billboard |
#7 | / | Noisey |
#9 | / | The Interns |