A band this successful could have left their private lives uninvestigated and turned in something more guarded and rote, but the palpable honesty of these songs is what makes them soar.
While their self-titled played like a vibrant homage to the UK's underground scene, For Ever is Jungle's Hollywood album, both in scope and substance.
‘For Ever’ is a success - an invitation to fall in love with that Jungle world that pulled everyone close and daring to do more. This is how to be a band who don’t jump into the world around them, but creates their own orbit instead - ready to jump in?
For Ever might be occupied with the idea of false promises being broken but the meaningful lyrics and the always-fascinating blend of new and old soul, funk, electronic lounge, mean that Jungle themselves still live up to their hype, even if California doesn’t in their eyes.
Falsettos, grooves, glossy funk, it’s all still there, but there’s a substance to it all now.
Jungle remain impossibly slick on For Ever, which creates an enjoyable listen, but a little bit more soul would be welcome.
Just like their debut, there’s promise here, but it’ll take a little more substance to make the most of it.
Jungle occasionally feel like the aural equivalent of a travel agency: their music’s insistent bounce is very accommodating. But whoever decided that each yearning falsetto should be layered up and Insta-filtered – shorn of awkward ridges and imperfections – may be a sociopath.
While there's a sense that Jungle lack the invention of Young Fathers, whose vocals they echo, or Thundercat, whose disaffection they share, For Ever's Sunset Strip soap opera is always compelling.
Considered as a whole, ‘For Ever’ feels like an opportunity missed.
With such a distinctive sound, it’s hard for Jungle to really move anywhere but in a straight line; ‘For Ever’ might be safe, but safe might not be enough second time around.
On their second album, the buzzy UK group only sometimes overcomes their style-over-substance sound that coats their glossy songs.
This music still tends to slip into the background, affable but never striking.
(Analbumaday Day 309)
I’m feeling the vibes, it’s just not really music I enjoy all that much. It’s one of those cases where I’d be lying to say it’s bad music, but I see little reason to praise it either. I just really like the atmosphere out of everything I could mention, it’s very chill and upbeat in a way, the vocals are fine, the instrumental didn’t wow me much, but I could at least feel the energy.
Fun and funky, I like this project it could be better but it's decent.
Best Track: Beat 54 (All Good Now)
Worst Track: Home
(analbumaday day 309) This is objectively good music but I also think it's just that. I feel that despite how good it sounds there is no charm in the performance that keeps me listening to the album and enjoying it. Apart from that it's good just I guess not for me or at least I'm not feeling it.
(Analbumaday Day 309)
I’m feeling the vibes, it’s just not really music I enjoy all that much. It’s one of those cases where I’d be lying to say it’s bad music, but I see little reason to praise it either. I just really like the atmosphere out of everything I could mention, it’s very chill and upbeat in a way, the vocals are fine, the instrumental didn’t wow me much, but I could at least feel the energy.
1 | Smile 3:07 | 82 |
2 | Heavy, California 3:04 | 91 |
3 | Beat 54 (All Good Now) 4:06 | 83 |
4 | Cherry 3:16 | 79 |
5 | Happy Man 3:11 | 86 |
6 | Casio 3:54 | 94 |
7 | Mama Oh No 3:17 | 79 |
8 | House In LA 4:43 | 81 |
9 | Give Over 3:33 | 75 |
10 | Cosurmyne 3:39 | 77 |
11 | Home 2:12 | 73 |
12 | (More and More) It Ain't Easy 3:11 | 69 |
13 | Pray 4:40 | 79 |
#4 | / | KCRW |
#69 | / | MOJO |
/ | Esquire (UK) |
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