Daughters return with the most effectively terrifying album I've heard all decade.
Whatever voodoo made their unapproachable sound so damn fun and cathartic is completely gone. In its place is a something altogether darker and uglier, but ultimately more brilliant and enrapturing than ever before.
Fans hoping for a repeat of the accessibility and groove of the self-titled album or the spasticity and rawness of earlier albums might be disappointed, but You Won’t Get What You Want is a brave and excellent addition to Daughters’ discography.
By far their most dynamic offering, Daughters have pulled off one of the great comeback albums and further cemented themselves as a band with such singular creativity that they're nearly peerless.
Considering the band's output so far, You Won't Get What You Want is the perfect return for Daughters. While aspects of the band's creative vision have been altered and their sound has further evolved, the core elements remain intact.
Aptly named, You Won't Get What You Want is awash with hopelessness, but each battery acid-stained note and room-clearing clang is delivered with the resigned ferocity of a cornered beast. In looking to capture the ugliness of humanity and parse through the despair that slithers malevolently in its wake, Daughters have crafted their most vital outing to date.
Even if Daughters are not a band you would normally gravitate towards, You Won’t Get What You Want deserves every ounce of praise that it gets and should be heard regardless and tastes. Not only is it one of the best (and rather unexpected) comeback albums in recent memory, it’s an album that is as genuinely terrifying as any piece of music or horror movie could ever hope to be.
Everything about You Won’t Get What You Want is carved out of sheer insert-synonym-for-unhappiness-here, from the guitars to the drums to the vocals, but there’s more than enough nuance and versatility to earn your respect, even if it’s not something you’re typically drawn towards.
These hardcore miscreants never seemed like a band suited for reunions, so their first album in eight years reimagines their prior intensity with blown-out, abstracted menace.
It is a head-spinning disintegration trip, windows and walls crashing down around a frightened subject, narrated by an at times frantic, at times resigned, and at times poetically inclined author.
#1 | / | The Needle Drop |
#2 | / | Norman Records |
#2 | / | Sputnikmusic |
#7 | / | Gaffa (Sweden) |
#12 | / | No Ripcord |
#13 | / | The Quietus |
#18 | / | The A.V. Club |
#24 | / | The 405 |
#26 | / | PopMatters |
#28 | / | BrooklynVegan |