Brockhampton

iridescence

Iridescence is full-to-bursting; it’s like almost eating too much food, almost drinking too much booze; it’s getting close to too much, and still asking for more.

Kevin Abstract is so often the mastermind, but on Iridescence, there’s no reliance on one member to take centre stage and in turn, some who were prone to lingering in the shadows have burst into the limelight.

A record about the repercussions of fame and the pressures of expectation, iridescence thwarts the opportunity to sell out at every turn, delivering a major label debut that’s boundary-breaking, frank and achingly heartfelt. Hip hop feels greater with these men in it.

iridescence is the best Brockhampton album because it doesn't give a fuck what you think a Brockhampton album should sound like.

BROCKHAMPTON's return is a harrowing exploration of fame and identity, boasting "America's Favorite Boyband" at arguably its most creative and certainly its most introspective.

Iridescence, the first installment of their The Best Years of Our Lives trilogy, ventures into a more experimental and abrasive sound. Though they are still figuring out this new dynamic, their fourth album is a bold and thrilling ride.

In ‘Iridescence’, Brockhampton find their own truthful rebirth. And, regrouped and renewed, they're not going anywhere.

'Iridescence' feels like Brockhampton have regrouped musically to create a great, if not perfect, representation and platform to build on.

That members of the self-proclaimed boy band met on a Kanye message board is extremely apparent: The group’s music is all over the place, often gloriously so.

The all-American boyband makes its major label debut with an album that shows emotional and creative maturation despite occasionally gimmicky production and some members getting outshined by others.

iridescence proves the American rap group—or boy band, if you ask them—have found the right balance of vulnerability and abrasive freneticism.