The result is a carefully built and naturalistic mosaic—you can hear the influences dissolving into each other even as the resulting sounds are crisp and memorable, rather than the half-baked invention of someone with a killer record collection.
To be fair to him, Morgan Delt is very, very proficient, nailing the '67 sound while injecting a dose of discipline that many imitators miss (and there are many, many, many...).
The scope of this album is considerable. It is multi-faceted, wildly coloured and not always entirely coherent.
Although Delt is quite obviously on his own trip, and you could just as easily work him into a lineage that stretches from The Red Krayola and West Coast Pop Art Experimental Band through to psych-influenced beatmakers such as Edan, Gonjasufi and The Gaslamp Killer
Many 1960's cultural and drug influences mesh nicely in this atmospheric, heady psych rock record but regurgitated 60's psych-rock nostalgia is nothing new.