Oddly enough, the thing that works best about this album is the cover. Hear me out. The image of an old, beat up car in a vacant lot somewhere, yet nowhere in particular, is exceedingly striking. We need this kind of image recognition, because it adds to the cinematic scope of some of these vignettes, and makes them much more vivid.
I like the fact that the album tells the stories straight, with no frills, and an expert level of unemotional narration. The facts are there, the names are there, ...
read more