Rather than being derivative, however, the LA songster has crafted songs that can stand up to the classics with considerable ease.
Ten tight songs and out, and the album feels like a mystery itself, but artists who nail that stoic sense of wonder, like Isaak and Orbison, don't come around often. Waterhouse is certainly of their ilk, and since he adds his own abstract touches and modern emotions to the mix, he's arguably one of the best.
While many of the influences remain the same, the record shows a development and refinement of Waterhouse’s initial blueprint.
The singer has crafted an album that unfolds like a film: it’s brisk, self-contained and a little mysterious, and catchy enough to revisit again and again.
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