Aaron May has an interesting sound, but often I found myself liking it for its production rather than his vocal performances.
I love the raw piano on “Make It”; the smoky, lowkey pads on “Dreams”; the floaty, mystical riffs and lead on “In Love” that mimic the feeling of the title; the slow, soulful sample on “Let Go”; the softly twinkling piano on “Cream”; and the lack of percussion on “Focus” that puts a spotlight on ...
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