Faye Webster’s understated, self-deprecating persona almost dares you not to take her seriously. Don’t be fooled. Atlanta Millionaires Club is a masterpiece of claustrophobic intimacy that brings compelling immediacy to a time-tested story.
The Atlanta native's second album, encompassing slinky R&B and tender folk-pop, is sweeter than an iced tea on a sweltering afternoon.
Contradictions and duplicities abound. But Webster is not putting us on. For all of its facades, Atlanta Millionaires Club is a work of arresting candour.
On her latest album Atlanta Millionaires Club—ten tracks of blustery loneliness and introspective songwriting—the only party Webster crashes is her own.
An odd but beautiful and often remarkable album, ‘Atlanta Millionaires Club’ has a depth of feeling that is difficult to shake off.
Atlanta Millionaires Club nails the perfect balance of the singer-songwriter’s sleepy, intimate balladry with the rich musical history of her home city.
The 21-year-old singer-songwriter’s third album is serene folk-pop with a mellow soul tinge and the melancholy clarity of someone twice her age.
An album that makes for pleasant easy listening, with frequent traces of genius.
Atlanta Millionaires Club finds Webster growing into her multi-dimensionality, embracing her love of both organic R&B and earthy indie in songs more vulnerable and direct than she has delivered before.
Atlanta Millionaires Club is an intriguing step up from Webster, and she's given herself permission to proceed in a number of directions from here.
Call it country songs to study too. A few mis-hits aside, Atlanta Millionaires Club can be background grooves or the soundtrack to your next fling. All guided by Webster’s sleepy smile.
pretty sure this album has permanently fucked me because no other woman-led soft rock will ever sound as good as this does to me anymore
fell asleep to this album in a BAD WAY, this album is so DOOKIE like the DOOKIE SHES EATING ON THE COVER, do NOT listen to this, absolute garbungage smh
This is one of my favourite album covers of the year, there's something really satisfying about it and idk what.
Maybe the colours?
I first heard "Kingston" after it started circulating online, and I really liked it so I'm glad I checked out the whole record. I really like Faye's voice with the vibey instrumentals, and I love some of lyrics in songs like "Right Side of My Neck." I'm not crazy about the opening track of the whole record, and I think if the first two songs were reversed, this would become more of an 8 album for me. Still, I really liked this and I'm glad I got around to it.
i love how consistent this album is. there's a very nostalgic atmosphere all throughout, and webster's experimentation is really refreshing compared to a lot of other female singer-songwriters who, especially in 2019, were constantly doing the same things. it's absolutely not for everyone and it may take time to click for some people, but this one is absolutely worth a listen. though it's only 31 minutes, it feels like a journey through a lovesick mind. just remove flowers and it's a near ... read more
1 | Room Temperature 4:04 | 84 |
2 | Right Side of My Neck 2:33 | 86 |
3 | Hurts Me Too 3:21 | 87 |
4 | Pigeon 2:38 | 84 |
5 | Jonny 3:46 | 88 |
6 | Kingston 3:22 | 92 |
7 | Come to Atlanta 2:32 | 84 |
8 | What Used to Be Mine 3:08 | 80 |
9 | Flowers 4:21 feat. Father | 70 |
10 | Jonny (Reprise) 2:00 | 81 |
#10 | / | Paste |
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#16 | / | Consequence of Sound |
#21 | / | The Line of Best Fit |
#29 | / | Double J |
#43 | / | No Ripcord |
#49 | / | Pitchfork |
#91 | / | Under the Radar |