Magdalene is an album that, like FKA twigs herself, defies both genre and classification.
What’s most extraordinary here is her singing voice, from a cloudbusting falsetto on Mirrored Heart to fevered shouting on the appropriately titled Fallen Alien and an eerie whisper on Daybed. There’s something new and exciting around every hairpin bend. Magdalene allows her to stand alone as an exceptional artist.
Magdalene goes beyond earthy boundaries and transcends to a celestial realm of greatness, guided by the “fallen alien” – FKA twigs.
MAGDALENE is as holistically complete as any pop record released this decade ... an exceptional and empowering account of an artist in full control of their sound.
By processing the physical and emotional pain she's experienced, FKA twigs’ new album MAGDALENE operates as a purging of all her heartbreak.
With limitlessly innovative songwriting and production, the cinema of twigs’ music has never been more affecting. MAGDALENE is not just on the vanguard of pop, it’s in a breathtaking class of its own.
Magdalene makes an unpredictable turn wherein FKA twigs traverses an introverted dimension of her vision through a minimalist perspective and a sense of controlled extravagance.
MAGDALENE is the album that twigs was destined to create. That such a blessing came out of so much trauma is a tragedy, but what a privilege it is to witness such a miraculous period of growth.
MAGDALENE dances along without ever dipping into easy catharsis, consumed with pain but unwavering in its determination to fight through it.
Like the dancer she is, Barnett pushes through pain in pursuit of beauty and truth, and the leaps she makes are breathtaking.
Directly contrasting the cohesion of her previous releases, the veritable tapestry of sounds woven into MAGDALENE is among the album’s most rewarding assets.
The album is a knotty meditation on the process of separating self-perception from public perception, and of twigs’s reclamation of her body and work as hers and hers alone.
In portrait mode, Magdalene tears down the metaphorical walls — aurally, visually, physically — to build back up a wholly realized self.
To put Magdalene in context, it’s clear that FKA Twigs has created her best album so far. It combines the addicting complexity of M3LL155X’s production aesthetics with the more elaborate and thoughtful songwriting of LP1.
MAGDALENE is the sound of an artist gluing together the million tiny shards in which she found herself after an explosive breakup.
Never rushed yet often urgent, MAGDALENE is a work of great tension and balance. It never falls into complacency, and it’s never indulgent.
MAGDALENE might not be perfect, but it reverberates with the sound of someone shutting the door on a difficult chapter in their life.
Sometimes, there is the feeling that less could have been more, but when everything aligns, there are true moments of wonder to be found.
With this gorgeous, gripping, thought-provoking album, she continues her enigmatic, glass ceiling-smashing trajectory thanks to some spectacular vocal performances and updating the sonic templates left to her by her forebears.
The inner battles of Magdalene will stay with you long after they finish.
The follow-up to 2014’s LP1, made in the wake of heartbreak, is twigs at her sorrowful, scrappy best.
While concise in length, MAGDALENE paces FKA twigs through the unguarding of her traumas, ceremoniously giving way for her next act.
For all its impassioned vocal performances and effective updates on the forms of Kate Bush and Björk, Magdalene isn't quite greater than the sum of its parts.
Sometimes the results are stunning ... Sometimes, however, the songs are weirdly stifling.
Fka Twigs didn’t just make an album, she crafted an experience of pure artistry.
The juxtaposition that is meticulously woven throughout is absolutely incredible. To sum things up, Twigs is essentially utilizing Mary Magdalene, a biblical figure, as a personal allegory. Both females never truly had full control of their own narrative due to patriarchy. Mary Magdalene is infamous for being wrongly labeled as a prostitute and a sinful woman throughout history, while Twigs on the other ... read more
Surrealist art pop in full artistic glory!
Magdalene is the 2nd album from English singer-songwriter FKA twigs, released in November 2019. It had been recorded tbroughout 2016-19, with a lot of the production being done by herself while having a wide range of co-producers such as Oneohtrix Point Never, Skrillex, Benny Blanco & Noah Goldstein.
Oh my... every time I go into a FKA twigs project, I'm always left breathless by the level of adventurous risks that she takes with each record and ... read more
God I love feminist art pop.
After having been familiar with FKA Twigs for quite some time, I decided to check this out today as I needed something relaxing to nurse a bad hangover. Maybe it's not an obvious pick for relaxation, but this was exactly what I needed today.
The record kicks off flawlessly with the surrealistic, breathaking ambience of "a thousand eyes", and follows it equally perfectly with "home with you", a favorite of mine. Throughout the next couple ... read more
"MAGDALENE" is an ethereal experience, rewarding those who are patient while digesting such a project.
Wow, where do I even begin? Well, to start off, let's talk about me giving 100s to certain albums, EPs. As if you do not know already based on viewing profile, I barely have a lot of LPs/EPs that are rated 100s. A perfect score means a lot for me personally, and if a project can overcome that barrier to receive that score, it means that I truly praise those projects with all my ... read more
1 | thousand eyes 5:00 | 89 |
2 | home with you 3:44 | 93 |
3 | sad day 4:15 | 92 |
4 | holy terrain 4:03 feat. Future | 84 |
5 | mary magdalene 5:21 | 94 |
6 | fallen alien 3:58 | 93 |
7 | mirrored heart 4:32 | 92 |
8 | daybed 4:31 | 86 |
9 | cellophane 3:24 | 96 |
#1 | / | Crack Magazine |
#1 | / | Gaffa (Sweden) |
#1 | / | Loud and Quiet |
#1 | / | MondoSonoro |
#1 | / | No Ripcord |
#1 | / | NOW Magazine |
#1 | / | PopMatters |
#1 | / | The A.V. Club |
#1 | / | TIME |
#1 | / | USA Today |