Laced throughout all of it are generous, wide-eyed melodies of a kind that makes for swooning sighs and curious feelings of instant nostalgia.
Phoenix make adjustments on the polarizing characteristics of their second and third albums ... with some of the most direct and enjoyable songs they've made to date.
Whilst Wolfgang Amadeus... is clunker-free, with high points from start to finish, allow me to abandon my critical faculties and gush about 'Love Like a Sunset Part 1', as this instrumental is by far the most incredible moment of the album and also quite possibly the best thing they've ever done.
It’s an approximation of what [perfection] might mean, which is: precise, lean, deliberate. There’s not a wasted moment here, and not one moment overstays it’s welcome, which from a bunch of aristocrats (I get) is pretty frickin’ rich.
Wolfgang Amadeus Phoenix is an absolute blast, rich in ringing guitar and euphoric synths but thankfully light on fromage and staid rehashes.
With Wolfgang, they’ve finally come into their own, releasing the strongest disc of their career without compromising a thing.
Phoenix are by no means a new act, but Wolfgang Amadeus Phoenix offers them the highest internet buzz and recognition they’ve received in their decade-long career, and with good reason.
Wolfgang Amadeus Phoenix is a slender, fat-free affair, all Gallic swerve and subtle swagger. This may well be the album to broaden their fan-base wider then the fashionable glitterati.
These arch Frenchmen make precision-tooled pop that somehow retains a sense of urgency and playfulness — an impressive balancing act consistently slam-dunked by effortlessly ingratiating choruses.
Wolfgang Amadeus Phoenix is a fine example of a band preserving everything that made them good in the first place, while also expanding their sound and striking out in a new direction. Bravo.
That Wolfgang positions Phoenix as a slightly hipper alternative to the Killers may finally break the band to a wide international audience, but it ultimately draws attention to how quickly trends shift in contemporary rock and how difficult it can be for even the most progressive bands to sustain their relevance.
I WAS RECENTLY TAKING A TOUR OF ALL THE STUFF I USED TO LISTEN TO FROM 2011-2014 AND THIS IS PROBABLY THE ONLY ALBUM THAT I STILL LIKE JUST AS MUCH.
AMERICAN IDIOT - EEEHHHHHH
DOOKIE - ACTUALLY STILL KICKS ASS BUT IT'S NOT QUITE LITERALLY JESUS
A FEVER YOU CAN'T SWEAT OUT - SHIT
SAVE ROCK AND ROLL - SHIT
ENCORE AND RECOVERY - FUCK OFF
THIS ALBUM - STILL FUCKING RIPS
[RETURN TO MY PAST ~ EPISODE 11:]
"Follow, misguide, stand still
Disgust, discourage
On this precious weekend ending
This love's for gentlemen only"
Oh album, I am so sorry for ever forgetting about you.
Y'all have no clue how much of a clown I feel like for not listening to this in like 3 fucking years. It opens with two of the best pop songs of the 2000's, impressive synth work (which is not something a lot of popular bands had in 2009), and pays a lot of surprisingly wholesome ... read more
Pleasurable indie pop/indie rock record with songs you really want to come back to.
"Lisztomania" , "1901" and "Fences" are one of the most fun songs I've heard in recent memory.
Other songs are pretty decent too.
It's an awesome indie pop album with some really great songs and the instruments are just amazing, I discovered this album by playing lasso on guitar hero and since then I've been hearing it
indie pop perfection, wow this is so good i love it !!!
fav tracks: Lisztomania, 1901, Fences, Love Like a Sunset pt. 2, Rome
1 | Lisztomania 4:01 | 93 |
2 | 1901 3:13 | 94 |
3 | Fences 3:44 | 88 |
4 | Love Like a Sunset, Pt. 1 5:38 | 76 |
5 | Love Like a Sunset, Pt. 2 1:56 | 77 |
6 | Lasso 2:47 | 88 |
7 | Rome 4:38 | 85 |
8 | Countdown 3:57 | 81 |
9 | Girlfriend 3:24 | 85 |
10 | Armistice 3:05 | 87 |
#1 | / | A.V. Club |
#1 | / | Drowned in Sound |
#2 | / | Cokemachineglow |
#3 | / | Amazon |
#3 | / | Beats Per Minute |
#3 | / | NPR |
#3 | / | Pretty Much Amazing |
#3 | / | Rolling Stone |
#3 | / | Spin |
#3 | / | Treble |
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