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CRITIC REVIEWS
100
Alongside indulgently unadorned ruminations on fear and love, the record is boundlessly liberating, decadently indulgent, and irresistibly danceable. Aitchison has delivered her greatest work yet.
90
Whereas at times bordering on abrasive to unseasoned ears, Charli’s work can appeal to pop-lovers of all stripes.
90
Charli is a near-perfect balance of trusty pop formulas and PC Music experimentalism.
90
Charli carries certain face-melting properties; several of its songs blister, warp, and decompose over time, as a result of Cook and company’s habit of introducing new production elements as each track unfolds.
88
Charli rockets down the same hyperspeed lane as Pop 2, and like its predecessor, it’s home to a staggering number of unyielding future-pop anthems.
83
Charli packs in plenty of wow and proves to be more than worth the wait.
80
The sexy android cover and star-studded collaborations on her third album, Charli, suggest an all-guns-blazing pitch for blockbuster status. But the contents are far weirder than that implies.
80
New album wears its raw, metallic beats and synths on the outside.
80
The result of years of experimentation, this album enlists established stars and emerging talents to create a work that is quintessentially Charli XCX.
80
The embattled singer reveals her anxieties and coaxes brilliance from various guests in a candid, confident third album.
80
The result is a collection of sad bops masquerading as bangers, just as perfect for the club as for a solo bedroom dance party.
80
It’s clear that Charli XCX is a songwriter who is willing to take risks and make striking artistic decisions. She’s unafraid to go where pop hasn’t gone, and it’s an attitude sorely needed in an industry that remains conflicted between following trends and individuality.
80
They've created an Event Pop Record with purpose, pointing the way forward while positioning Aitchison as a pop artist with something to say.
80
Her first official LP in five years gathers a fluid global dream team for a wild, joyously bummed-out set of avant-pop bangers.
80
It is, hands down, the best iteration of XCX yet, the one where Aitchison’s pop capabilities line up most persuasively with her avant garde ear.
80
Charli sets a standard, with room for input, for adjustment, for putting faith in the sum, in partnership, in yourself, in parties, in pop.
78
With adventurous production and revealing writing, Charli XCX’s third studio album reflects an artist ready to commit to self-examination.
70
Despite these brief lulls, Charli is another winning release from an artist who won't be stopped in pushing pop music into the 22nd century.
70
Although she could often benefit from an editor, her process and vision doesn’t adhere to the music industry’s prioritisation of the album format – which feels right for an artist whose music could be read as an attempt to dissolve time itself.
70
Each collaboration allows her to explore different sides of her persona while still presenting something holistic. It’s also just a bloody good pop album with lots of highlights.
70
Charli is not the perfect pop album, nor is it a fully developed manifesto for where pop could go, but it is a collection of enjoyable, interesting tracks that don’t sound completely alien, but also don’t sound like anyone involved is selling out.
70
Next-level Charli happens, it seems, to be largely a continuation of the same Charli.
70
In a way, its unevenness is only fitting for an artist as committed to blurring pop's artistic boundaries and connecting the dots between its past, present, and future as she is -- that she's this hard to pin down this far into her career is exactly what makes her a continually intriguing talent.
70
Her third studio album is more immersive and exudes more confidence than anything in her catalogue thus far.
70
Charli shies away from extremes, its emotions sharply drawn but never devastating, its beats playfully abrasive but only occasionally mind-bending.
60
The uncertain atmosphere hinders the album's climb to the heights of Pop 2 and Vroom Vroom, projects with similar ideas yet much less restraint when enacting them.
Wow! What an unexpected effort from Charli XCX.
This album is everything I love about pop music. Such a fantastic effort. It is catchy, instantaneous, incredibly consistent, and creative.
This album travels through a large variety of pop music styles, adding a twist to all of them. Charli XCX, even hiding behind a robotic wall of autotune, is such a powerful voice who carries such powerful emotion through this album. The production is so visceral. I absolutely adored some of the melodies on ... read more
Charli XCX: "What's your favorite idea?! Mine is being creative!"
Me: "How do ya get the idea?"
Charli XCX: "I just try to think C R E A T I V E L Y."
So Charli XCX finally came together with another studio album (her first in 5 years), and re-invents her pop sound with the PC music influences she explored with her recent mixtapes and EPs. Needless to say, Charli is a good album! I really enjoyed some of the inventive pop styles on here, I liked Charli's creative ... read more
Anyone who listened to Charli XCX's leaked project XCX World can see the ambition she had to create a cohesive album. I think Charli has been largely thought of as a singles artist for the past few years due to various label/leak/other issues, along with many of the singles she has put out (ex. Boys, 1999) being very popular on their own and did not need to be put on a project. But Charli isn't just gonna sit around and drop banger singles all the time, sometimes she's got to put a ton of ... read more
Nah cause what is that song with Lizzo doing with that CHAINSMOKERS ASS BEAT DROP… that is my only huge complaint with this album.
Due to Charli coming back with a new album soon, I decided to give this bad boy a relisten and DAMN. To be honest with y’all, when I heard this for the first time I liked it but wasn’t blown away. I never really got the Charli XCX hype until her quarantine classic ‘How I’m Feeling Now’. With that album, I loved it immediately, ... read more
Experimental and bold is what this album is. Hyperpop at its finest with tracks that you most likely never heard in the form presented on this album. It's what Charli does best and that's weird hyperpop sounds but in the best way possible. Although having a few skips it is a good listen for sure.
apesar de algumas das melhores faixas que a charli lançou na carreira, acredito que ele funcionaria melhor como uma mixtape de 9 faixas (next level charli, gone, cross you out, 1999, click, white mercedes, silver cross, shake it, 2099), as não citadas ficam muito desconexas, ela poderia ter lançado como droplets igual na epoca de no angel/focus/5 in the morning/girls night out.
melhores: gone, cross you out, click, silver cross, next level charli
brooklynvegan.com
Charli XCX shares new single “Beg For You” ft Rina Sawayama 
pitchfork.com
Charli XCX shares new song "New Shapes" 
pitchfork.com
Charli XCX Shares Video for New Song “Good Ones” 
Contributions By
mehercanthuman, anztec, Maxinelliott, Hungry_Potato, parent, South101, Novell_sx, Pacaveli, ritchse, wless, patton, philthy, MikeOwen, Edgeworth, domvic, sweertner, JoaoSantos, estevancomnBecome a Donor
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Track List
| 1 | Next Level Charli 2:37 | 91 |
| 2 | Gone 4:06 feat. Christine and the Queens | 95 |
| 3 | Cross You Out 3:28 feat. Sky Ferreira | 88 |
| 4 | 1999 3:09 | 88 |
| 5 | Click 3:53 feat. Kim Petras, Tommy Cash | 87 |
| 6 | Warm 3:45 feat. HAIM | 80 |
| 7 | Thoughts 3:11 | 84 |
| 8 | Blame It On Your Love 3:11 feat. Lizzo | 78 |
| 9 | White Mercedes 3:23 | 89 |
| 10 | Silver Cross 3:28 | 88 |
| 11 | I Don't Wanna Know 3:05 | 83 |
| 12 | Official 3:04 | 86 |
| 13 | Shake It 4:35 | 82 |
| 14 | February 2017 2:33 | 83 |
| 15 | 2099 3:25 feat. Troye Sivan | 87 |
Total Length: 50 minutes
Year End Lists
| #1 | / | The Needle Drop |
| #3 | / | The Wild Honey Pie |
| #6 | / | The Observer: Kitty Empire |
| #10 | / | Idolator |
| #10 | / | Noisey |
| #10 | / | PAPER |
| #15 | / | MondoSonoro |
| #21 | / | The Guardian |
| #22 | / | Stereogum |
| #23 | / | The Young Folks |
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3mo
BIOYL is so fucking overhated just because it's the mainstream version of Track 10. Production ain't even bad. Like both are very good why trash the other?
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Added on: June 13, 2019