As we listen to it, we also listen to the sound of a band who continue to create after more than a decade — tempered with loss, yes, but also joy, also freedom.
The most cohesive start-to-finish listening experience in the band’s career, Juice B Crypts sees Williams and Stanier balancing with great poise on the line between the noodle-y experimentation Battles are known for and the songcraft they had scratched at the edges of—but never quite fully achieved—on previous records.
Though it's a relatively concise 40 minutes, Battles pack so much into Juice B Crypts that, perhaps more than any of their albums since Mirrored, it needs to be taken as a whole to appreciate its constantly changing, consistently engaging sounds.
It’s not always been obvious, but since their inception in 2002, Battles have been on an almighty quest for the funk. Definitive, all-conquering, funk. On ‘Juice B Crypts’, their fourth studio album, they might just have found it.
Juice B Crypts is an uncompromised, multi-faceted assault course for the brain, but one you won’t regret taking.
It would be hard to find an album to compete with theirs in regards of modernism or creativeness.
The end product is the giddily unrestrained Juice B Crypts, an LP both fast in terms of tempo and run time and fastidious when it comes to its construction
Battles' music continues to be unconventional and sometimes harsh-sounding, but they also have an ear for catchy melodies.
Battles’ music often sounds more android than human, like they’re anthropomorphised, misbehaving robots running amok in a futuristic music shop.
Juice B Crypts occasionally threatens to collapse beneath the weight of its overstuffed songs. But even when it’s too maximalist for its own good, Battles’s music is still compelling.
Captivating tidbits rattle inside each of these 11 tracks, thrilling details that, when found, hit like syringes of adrenaline.
Juice B Crypts often feels like it’s treading water, a band making busywork out of something that still has the potential to excite.
Where previous records leaned into energetic post-rock, here the influence of their Warp Records peers shines through.
While Battles maintain their unique style of math rock on Juice B Crypts, the band sounds like a shadow of its former self.
Juice B Crypts is the worst version of the band, one now somehow out of step with what made them so appealing in the first place.
After hearing "IZM", I officially want "Math Rap" to be a thing.
Yes, math rap... it would be easy for Battles' genius math rock nerds. Because since 2004, this band has been producing the most creative and futuristic experimental rock of the 21st century. And I have to admit it, Battles is my favorite math rock band of all time. But unfortunately since "La Di Da Di", the band doesn't click with me anymore. So I was hoping that Battles would release a fucking ... read more
stop bullying battles! this album good
bleep bloop math rock good
on another note please check out 落差草原 WWWW they're cool
Juice B Crypts feels more like a progression than La Di Da Di but does feel a bit empty with math rock drums and electronic goofy loops without guitars and weird features all around. This feels like an electronic album instead of an experimental rock album and while it is good, it is their weakest album to date even if there is an appeal there.
A wonderfull and eclectic experience full of the electronic rock weirdness that i've come to expect from them
1 | Ambulance 4:20 | 80 |
2 | A Loop So Nice... 2:14 | 78 |
3 | They Played It Twice 3:09 feat. Xenia Rubinos | 78 |
4 | Sugar Foot 5:18 feat. Jon Anderson, Prairie WWWW | 66 |
5 | Fort Greene Park 5:45 | 81 |
6 | Titanium 2 Step 3:26 feat. Sal Principato | 89 |
7 | Hiro 3 1:08 | 84 |
8 | IZM 3:36 feat. Shabazz Palaces | 75 |
9 | Juice B Crypts 3:56 | 64 |
10 | Last Supper On Shasta Pt. 1 3:52 feat. Tune-Yards | 78 |
11 | Last Supper On Shasta Pt. 2 3:55 feat. Tune-Yards | 78 |
#14 | / | Les Inrocks |
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