It may be his 14th album, but the man still has some tricks up his tattooed sleeve.
Ryan Adams as an album might not be uplifting but it sure is outstanding, reaffirming the singular talent of its namesake.
Ryan Adams can be seen as an emotionally mature take from an artist who is able to think in terms of career, able to look beyond selfish reasons for creating art, and able to give fans something that can be both pleasant to listen to and enjoyable to perform on a nightly basis.
If Ryan Adams was merely sonic candy, it would've been enough, but this is also one of Adams' cannily constructed records, one that runs deliberately lean.
Like much of his best work, it’s a slow-burner of an album: at first listen, it sounds a pretty decent radio-friendly record, but it’s only on repeated plays that the full emotional scale which Adams is displaying becomes clear.
The result is this re-energised, Veteran smart and surprisingly groovy but bruised beauty. It’s not country, nor punk, but classic heartland rock ‘n’ roll with swagger. Lots of swagger.
Adams is front and centre, backed by a well-practiced group of studio players, delivering 11 cuts that expertly walk the line between rock, folk and alt-country. The edges are rounded, with a big, chiming sound that make the record instantly listenable.
Older and wiser perhaps, but with an undimmed sense of fun, Adams still runs circles 'round most pretenders to the country-rock throne.
It’s more of a rock ’n’ roll album than the rootsy, understated Ashes & Fire, and while Adams includes a handful of the wrenching ballads he does so well, bold electric guitars hold sway on most of these 11 new songs.
What makes Ryan Adams so stunning is both its substance and restraint
It’s what you would expect to come from an artist at his stage of his career. That’s precisely what makes Ryan Adams feel, for lack of a better word, safe
This refreshingly focused set resolves on the chiming "Tired of Giving Up." An unfettered declaration of joy? Hardly. But hope, apparently, is a process.
The real joy of Adams’ back catalogue is that both his vocal mannerisms and skill as a guitarist have allowed him to take a versatile approach to his songwriting; both are evident on Ryan Adams, but the one aspect that does suffer is his lyricism.
Where past ventures could tend to exude a mannered self-consciousness, Adams acquits himself here with an easy and infectious sincerity.
Whilst there are no real lows on the album, the highs are equally not of the sky-scraping variety
Ryan Adams is, for better or for worse, just another Ryan Adams record
Let's call it what it is: Ryan Adams is one of the best singer/songwriters of the past decade. On his 14th album he delivers once again. His self titled album is a dime. My one critique is on the repetitiveness that you find in a lot of his songs, but I'm not complaining. Great Job Mr. Adams.
Being an amazing 14th album shouldn't really be a thing but Adam's somehow one-upped himself on Ashes and Fire and came through with this.
Best Tracks: My Wrecking Ball, Kim, Gimmie Something Good, Stay With Me
Worst Tracks: I guess Shadows
#2 | / | Diffuser |
#5 | / | American Songwriter |
#9 | / | TIME |
#24 | / | MAGNET |
#26 | / | PopMatters |
#27 | / | Gigwise |
#28 | / | SPIN |
#29 | / | Grantland (Steven Hyden) |
#34 | / | Paste |
#39 | / | Fopp |