Mura Masa - R.Y.C
Critic Score
Based on 17 reviews
2020 Ratings: #800 / 849
User Score
Based on 458 ratings
2020 Ratings: #968
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‘R.Y.C’ is at its most provocative and memorable when its larger-than-life characters and productions become unhinged and combustible with lust for life.


An album which finds Mura Masa coming of age. Once again delivering an album that captures a sound unique of his own, every element ties together to form a body of work that deserves to be played over and over again.


‘R.Y.C’ bills Mura Masa as a different prospect entirely.


R.Y.C makes no sense on paper, but Mura Masa displays his knob-turning strengths, dizzying versatility and ever-expanding potential, proving he more than belongs amongst his British youth-oriented and electronic forebears.

Long story short, if youโ€™re a young person and you like dance bangers, this one is probably for you.

Missteps on R.Y.C are rare – Slowthai ruins a good beat with his local lad impression, Today with Tirzah is a bit too sleepy to have much of an impact – and the album sees Crossan as a distinctive producer once again, after the events of the past few years threatened to leave him faceless.


Where R.Y.C. succeeds—and where Crossan reveals a real point of view—is in his ultimate rejection of these initial frameworks in favor of something more fluid, a hybrid space in which these sounds, stylings, and emotional responses work together.


R.Y.C. is scattered and uneasy, but considering its subject matter and the emotions it expresses, it seems like it couldn't have turned out any other way, so it sounds undeniably genuine.


The producer has made bold and brave steps for his sophomore album; switching up from his usual electronic style to a guitar-heavy, angsty sound while laying down his own vocals on some of the main tracks.

Northern Transmissions

R.Y.C. isn’t as “profoundly awful” as The Guardian might have you believe, but it does represent a misstep of sorts for Mura Masa.

Spectrum Culture

R.Y.C. is less of a dynamic, energetic exploration of youth culture as it is a mostly banal record coated in a heavy, pale malaise that not even the most exciting of the artists featured on this record can cumulatively lift.


Ultimately, Crossan's earlier work far outperforms RYC, but risks with genre definitely earn him brownie points for effort and reveal a musical sensibility worth watching.

The Observer

Despite a couple of nicely turned meditations (the title track, A Meeting at an Oak Tree), Raw Youth Collage mainly transmits a confusion that is less generational than solely Mura Masa’s.

The Guardian

The whole thing does perhaps work as a satire on the stultifying effect of nostalgia, but if you’re worried about our burning planet, keep facing outward and don’t waste a single moment listening to anything this wretchedly blinkered.


I understand that some elements of this album's production can be seen as maybe messy, cringe or amateurish. I will certainly understand if some fans of Mura Masa's fans are turned off because of the lack of real engaging songs except for "Deal Wiv It". However, it is hard to deny that Mura Masa isn't honestly expressing an unfiltered stream of youth. Or as he would put it...a "Raw Youth Collage".

That concept may repel some of you artsier music snobs, but in all honesty ... read more


Deal Wiv It still goes insanely hard but besides that the songs don't do much for me.


kai whiston's album last year was a great example of how electronic music and rock music could be intertwined and mashed into a final product. mura masa's latest project seems to want to do the same thing with a more acoustic twist, but the production is so lackluster and bare that it doesn't allow for any sort of depth, and the rock—er, 'rock'—parts of this album aren't edgy enough to be interesting. "i don't think i can do this again" and "in my mind" are the ... read more


When this album was released, I was 24, living and working in Manhattan. Slightly depressed, the usual mid 20’s “wondering where the time was going and what’s the “real world” all about and what my place in it was”. I found myself relating to not only what was being said but the laid back, glazed, melancholic mood that it creates. Little did I know we were months away from a global pandemic. When I revisit this album, it feels like another life and brings me ... read more


Although having some great tracks and feautures here and there, R.Y.C by Mura Masa ends up being bland and boring.


"well that's gentrification, you prick"

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Added on: October 25, 2019