West Of Eden is finally here, and damn, are HMLTD finally going to get that fame they so deserve.
Committed to a style and substance that simultaneously looks to the past and future, the five-piece soundtrack their role as esoteric prophets of doom with a sonic credo that proves genuinely idiosyncratic in the current climate – sharp, wit-filled and uninhibited stuff.
With ‘West Of Eden’ HMLTD have fought off the suffocating grip of overhype to deliver a debut album that is a cut above the rest, even if it is a little overdue.
The London band throw together glam, goth, electro, Kurt Weill … and have even added conventional pop to the mix.
HMLTD refreshes and recontextualizes a slew of post-punk sounds on West of Eden.
West of Eden crowns HMLTD as one of few bands with a serious claim to artistic vision and sonic uniqueness.
So preposterously overblown as to almost satirise this past decade's pop timidity, West of Eden hopefully points the way to a more roaring Twenties.
As a whole, West of Eden is extravagant and ridiculous, but it embraces its own eraticism.
Their patchwork labyrinthine stories are only mostly enthralling – the whole piece doesn’t quite match the promises of full technicolour.
While there's ambition to admire in any album that begins with a funky apocalyptic assessment of Western decline, it fails to deliver.
CW; child murder, dysphoria, toxic friendships, suicide, self harm, death, Stockholm syndrome.
I believe that HMLTD's debut record, West of Eden, is a rock opera concept album based on the mental anguish of millennials living in a post-apocalyptic 21st century and the mental unraveling of a suppressed trans women named Joanna.
But before I go deep into the concepts and themes explored in this album, I should probably speak on the actual music only slightly. Overall, I think this album is a ... read more
"West of Eden" is an unexpectedly fun record that pulls so much out of the kitchen sink yet a lot of it actually works! The variation is off the wall, with one going through a post-punk/trap fusion (it's way better than it sounds). While there are a couple moments of filler, the overall record was a joyous experience for me. The goth and glam stylings are great, the production is creative and the lyrics are frighteningly hilarious.
Fav Tracks: LOADED; Where's Joanna?; To the Door; ... read more
I would by lying to say I wasn’t impressed with this record, mostly because it completely phased through every sort of bleak expectation I had for it. I had a few people I chat with say it was rather boring, some say it was fantastic, and for me going in blind? I really didn’t have much hopes of being blown away.
However, this album gradually grew over listens into one of the more unique albums so far this year. HMLTD, although I never heard their previous work, sound a lot more ... read more
▲ = Loaded, Satan Luella & I. Mikey's Song, Joanna, Where's Joanna, Death Drive. Blank Slate, War is Looming
▬ = The West is Dead, The Ballad of Calamity James, To the Door, Why, 149, Nobody Stays in Love, MMXX AD
▼ =
A little all over the place but when you get to the nitty gritty, its enjoyable, and fun even if the lyrics are a little dystopian, (Nobody Stays in Love).
1 | The West Is Dead 3:03 | 89 |
2 | Loaded 3:16 | 93 |
3 | The Ballad of Calamity James 1:31 | 80 |
4 | To the Door 3:19 | 93 |
5 | Satan, Luella & I 6:29 | 95 |
6 | Mikey's Song 3:37 | 90 |
7 | Why? 2:37 | 73 |
8 | 149 2:57 feat. Tallulah Eden | 79 |
9 | Joanna 2:22 | 91 |
10 | Where's Joanna? 3:50 | 95 |
11 | Death Drive 3:38 | 91 |
12 | Nobody Stays in Love 3:27 | 89 |
13 | MMXX A.D. 0:49 | 74 |
14 | Blank Slate 3:44 | 91 |
15 | War Is Looming 4:35 | 80 |
#22 | / | The Needle Drop |
#35 | / | Louder Than War |
#47 | / | Hot Press |