Once again, Reed echoes the sound of Stax records, and his white-boy soul earnestly seeks to pay homage to the artists of the period. These derivative tracks can appear unoriginal - one reviewer stating that all Reed delivers is ‘old news’, but at times, his songwriting provides ‘pearls’ which would have adorned classic albums from early Motown. Such highlights include the infectious ‘Name Calling’, the James Brown high temp wailing behind suitably titled ... read more
#40 | / | MOJO |
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