New York-based artist newest effort brings on the good in chamber pop and laced with her own distinct individuality, coupled with sparse lyricism and jangly melodies, up par to her 2017’s Shitty Hits. She distinctly reminds me of her contemporaries, highly of Aldous Harding or Angel Olsen with her inspiration towards fractured relationships. This is a good one.

It treads that fine line between standard folk pop and deconstructed, haunting pop with devastating affect. Didn't expect much coming into this one, so I'm pleasantly surprised.

do you even indie pop tho?

When I first heard this I didn't know what to expect but when I really got in the mindset of the album it really hit hard and feels like something from the 90s cause of how unique the album is and sounds

great ~ on her third album, katie von schleicher explores a darker side of indie pop and indie rock, which is full of dark lyrics juxtaposed with (sometimes) lighter instrumentals. but her voice ends up being the shining star. and some of the songs on here remind me of soccer mommy, which is always a plus. and um "gross" should've totally been the album closer imo.

best songs: you remind me, wheel, caged sleep, messenger, loud, can you help?, brutality, hammer, power, gross, nothing ... read more

yeah this album is pretty good. It isn't amazing but a decent enough attempt