I Love You, Honeybear
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CRITIC REVIEWS
100
The themes are universal, yet its subject matter and ways in which the album executed are deeply personal, making this a truly resonant record.
100
Perhaps it’s Father John Misty as an antidote to the American dream that makes ‘I Love You, Honeybear’ such a compelling and addictive listen. That underneath this beautiful sounding record things are pointed toward a seedier truth.
100
For all the layers of irony on I Love You, Honeybear, the biggest irony of all might be that such an ostensibly knotty and confusing album’s real strength lies in something as prosaic and transparent as its author’s ability to write a beautiful melody.
100
He's equally talented at writing heartfelt acoustic guitar riffs or quiet piano tunes, adding the ideal dose of strings and lush backing vocals.
95
A messy, extravagant, astonishing, beguiling and honest experience: that’s love, and that’s also what I Love You, Honeybear is. Just magnificent.
91
Over its 45 beautiful but tortured minutes, I Love You, Honeybear weaves a complicated narrative of love gained at the expense of the individual.
91
Fortunately, the masterful I Love You, Honeybear proves that Misty the character doesn’t overpower Tillman the musician.
90
It's a hugely ambitious, caustically funny album about the redemptive possibilities of love, and being heartily sick of your own bullshit.
90
Tillman's narrator is a self-destructive train wreck, but he's so masterfully sketched that he feels more than deserving of sympathy.
90
I Love You, Honeybear pinwheels between an honest, bruised tenderness and worldweary cynicism, but never in that yawnsomely earnest way you all too often find when singer-songwriters use their material to present and fillet their own relationships.
90
I Love You, Honeybear, is littered with carefully wired bombs meant to blow up in the face of those seeking straightforward love songs.
90
Tillman becomes one of the great diarists of our generation in Honeybear, possessing a keen, merciless intelligence within a sophisticated melodic sensibility.
90
I Love You, Honeybear, despite the occasional double entendre, is as powerful a statement about love in the vacuous, social media-obsessed early 21st century as it is a denouement of the detached hipster charlatan.
90
It’s the sort of album that even repeated listenings can throw up a myriad of surprises: you never really get to know who the character of Father John Misty is ... but it’s clear that Josh Tillman has slowly turned into one of the most talented songwriters of our age.
90
An intimately close-to-the-bone emotional exploration that not only fulfills his potential that was glimpsed three years ago, but trumps the folk masterpieces of his old outfit through sheer conviction.
90
From the soulful gospel of “When You’re Smiling and Astride Me” to the cherubic synth-pop of “True Affection,” this kaleidoscope of a release is brimming with ideas both batty and inspired.
88
Fans of the Beatles and Sufjan Stevens will find that songs from Honeybear sit comfortably in their Spotify "Mountain Drive" playlists; fans of stand-up comedy will find the album as thorough, sad and bitterly cathartic as any good hour-long special.
86
Tillman takes his musical cues from his confessional forebears, ‘70s singer-songwriters like Jackson Browne and James Taylor, his soulful tenor a warm and inviting presence that makes his refreshingly modern lyrics and transparent sensibilities all the more affecting.
85
Anyone who values the ability of folk artists to pull back the curtain on the human spirit will appreciate the genius of this album. It’s a record that needs to be listened to rather than heard.
83
He says “My ambition… was to address the sensuality of fear, the terrifying force of love, the unutterable pleasures of intimacy, and the destruction of emotional and intellectual prisons in my own voice.” And he does so, with some intelligent and honest song writing and passion in his voice.
83
The majority of the album is rooted in the same vintage Californian folk-pop tradition – think the Eagles or Electric Prunes – but its reflections on globalization are decidedly contemporary.
82
Honeybear thrives on the knife’s edge of that enigmatic split personality, as he attempts to reconcile the love-swept optimist with the world-weary wise-ass.
80
Honeybear is rich with sarcasm, flagrant in some places and barely discernable in others. It is impossible to take seriously, but too damn compelling to be dismissed.
80
For all his determination to thumb his nose at convention, ‘I Love You, Honeybear’ finds Tillman falling face first into perhaps the most expected of musical tropes: the “mature” sophomore release. Thankfully, he’s on track to age with grace.
80
The production is grand and glorious, aping the spaciousness of dusty road Americana without sounding overwrought… Or, if it does, you know that it’s entirely intentional.
80
Fans of sensitive woodburning-stove indie may be surprised to hear the one-time Fleet Foxes drummer skewering shortcomings close to home.
80
I Love You, Honeybear, finds the character going through every cycle of life, from lust to love to fear to hopelessness to depression to loneliness, only interrupted by the occasional bout of happiness.
80
Upping the spectacle from Fear Fun, his 2012 debut, I Love You, Honeybear is an autobiographical set about love, marriage and derangement that's both ironic and empathic.
80
In some ways it may have too many ideas, just falling short of Grant's 'Pale Green Ghosts' ... But '...Honeybear' is easily a masterpiece and already one of the best albums of 2015.
80
Lyrically, Tillman has a penchant for enjambment that leaves punchlines and revelations momentarily suspended, so songs unfold with continual surprises.
80
From such banal beginnings a new life – and a truly compelling new album – have bloomed.
80
This is a more than worthy follow up to 2012’s ‘Fear Fun’, and while I’ve been well looked after at the Tillman Motel, it took me a while to get used to the furniture.
80
J. Tillman, aka Father John Misty, comes through with a grand, funny, and gorgeous sophomore release under this recently embraced pseudonym of his.
70
I Love You, Honeybear is a big, ambitious statement that few artists can pull off for a sophomore follow-up to a beloved debut. But unlike Fear Fun, it does ask the listener to meet the artist at least halfway.
Completely honest, funny, relatable and relevant. It's heartbreaking and brilliantly poetic without trying too hard to be. Highlights include "Chateau Lobby #4 (In C For Two Virgins)" and "The Night Josh Tillman Came To Our Apt." Fantastic, an immense improvement from his last album.
"She says, "Like literally, music is the air she breathes"
And the malaprops make me want to fucking scream
I wonder if she even knows what that word means
Well, it's "literally" not that"
My boy FJM been #hardonthots since the jump!
And the malaprops make me want to fucking scream
I wonder if she even knows what that word means
Well, it's "literally" not that"
My boy FJM been #hardonthots since the jump!
One of the funniest and most charming albums about love I've ever heard, these lyrics are fucking gold a lot of the time. The very grand approach to the production was also a really nice touch, very few complaints with this thing honestly, can't wait to continue listening to it. Also really stoked for his Pure Comedy album that's releasing this April now after hearing this.
Amazing
Yeah, this record has a well-flowing tracklist, and although they're all around the same bpm, there's never really a dull moment on here. Thought-provoking and universal, his lyrics are amazing; the way he writes songs baffles me. The instrumentation itself is never boring or the same as the rest of the album, and there's always the twang to it.
Color: Purple
FAV TRACKS: Strange Encounter, The Night Josh Tillman Came to Our Apartment, I Love You Honeybear, Holy Shit, Chateau Lobby #4
Yeah, this record has a well-flowing tracklist, and although they're all around the same bpm, there's never really a dull moment on here. Thought-provoking and universal, his lyrics are amazing; the way he writes songs baffles me. The instrumentation itself is never boring or the same as the rest of the album, and there's always the twang to it.
Color: Purple
FAV TRACKS: Strange Encounter, The Night Josh Tillman Came to Our Apartment, I Love You Honeybear, Holy Shit, Chateau Lobby #4
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END OF YEAR LISTS
| #1 | / | Drowned in Sound |
| #1 | / | Loud and Quiet |
| #1 | / | musicOMH |
| #1 | / | Paste |
| #1 | / | Time Out New York |
| #1 | / | Under the Radar |
| #2 | / | Rough Trade |
| #3 | / | CraveOnline |
| #3 | / | Gigwise |
| #3 | / | Magnet |
| #3 | / | NOW Magazine |
| #3 | / | PopMatters |
| #3 | / | The Guardian |
| #4 | / | Diffuser |
| #4 | / | No Ripcord |
More Lists
MISC LISTS
Track List
- I Love You, Honeybear
- Chateau Lobby #4 (in C for Two Virgins)
- True Affection
- The Night Josh Tillman Came To Our Apt.
- When You’re Smiling and Astride Me
- Nothing Good Ever Happens At the Goddamn Thirsty Crow
- Strange Encounter
- The Ideal Husband
- Bored In The USA
- Holy Shit
- I Went To The Store One Day
In Library (178)
Contributions By
thisisabtlgrnd, patton, evilpwnage, indiegalaxy10, siberianbreaks, erik, philthy, EleanorRigby, alegonzriv, PureRage
Added on: November 4, 2014
