For most of my life, my experience with Stephin Merritt’s work were the same few songs that my dad had saved on his ipod. Mostly from 69 Love Songs, they were the best of the best, songs like “When the Sun Goes Down and The World Goes Dancing” or “I Don’t Believe You.” But most of these, for how strange they seemed to me then, were among the more poppy of the Magnetic Fields catalogue. So when I decided to do a deep-dive of their archive, starting with ...
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