Lianne La Havas is the quintessential self-titled record – one that, like Prince’s best work, demonstrates the artist’s range while existing as a cohesive statement of purpose.
In creating a record that is so unabashedly true to herself La Havas delivers her best work yet.
Her latest release — simply, Lianne La Havas — signals a shift away from the acoustic theatrics of 2012's Is Your Love Big Enough and 2015’s Blood into pared-down poetic complexity with a mix of left leaning pop and high-voltage electric blues.
Lianne La Havas is an album that doesn’t shy away from the realities of love and life. It celebrates the highs, exposes the lows, and ends with a sense of having found contentment with solitude.
Lianne La Havas was already a fantastic album. Any songwriter would be lucky to write something this articulate, or arrange something so considered. But La Havas’ vocal abilities showcase the merits of this album in a way that many other artists can’t achieve.
If nothing else, Lianne La Havas should be a testament to one of the best songwriters occupying that intersection of pop, R&B, and art rock right now.
Not to say Lianna La Havas is a sonic shock: it's evolution not revolution, putting its author's sound deeper into her own context.
It’s true that Lianne La Havas does lull in places, and the vocals do rescue her from a tight spot on more than one occasion, but you get the sense that this is a record which you really have to live with and invest time in before you’re lucky enough to appreciate its myriad charms.
The album instantly feels more purposeful than its predecessor: Where Blood can feel labored over, perhaps too hungry for hits, Lianne La Havas isn’t seemingly beholden to such expectations.
La Havas's third full-length record is fluid with feeling, and evidence that she has fully come into her own. Lianne La Havas is a masterpiece of vulnerability charting the path of a heart in the throes of new love.
at one point - any point - of any song, it suddenly clicks, and you understand the value of the material (listen to her cover of radiohead’s "weird fishes" for full astonishment).
Lianne La Havas' self titled album is a half decade built journey of courage and a newborn butterfly.
簡而精 is a Chinese phrase that means "simple but refined". It is a wonderful word to roll out from the tongue, and it is a perfect adjective to represent this wonderful album.
The word includes 3 parts of pronunciations in Cantonese:
1. 簡 (gan), meaning "simple", which starts off spoken in a neutral vocal range, going upward.
2. 而 (yi), meaning "but/and", which sets at a very low tone, in contrast to the first letter.
3. 精 (zing), meaning ... read more
Wow I wasn't expecting this album to be this good to be honest, Lianne La Havas is her self titled studio album, And while I've heard good things about her before I wasn't expecting too much for some reason, But now I would even say this album is even a little bit underrated. Lianne is so god damn beautiful on this project, Her singing is impeccable and her vocals are so elegant and soft but also powerful, She is delivering so much passion in each and every song, And you can hear she really ... read more
1 | Bittersweet 4:52 | 95 |
2 | Read My Mind 4:48 | 91 |
3 | Green Papaya 4:05 | 84 |
4 | Can't Fight 3:10 | 88 |
5 | Paper Thin 4:58 | 85 |
6 | Out Of Your Mind (Interlude) 1:04 | 85 |
7 | Weird Fishes 5:54 | 94 |
8 | Please Don't Make Me Cry 5:14 | 93 |
9 | Seven Times 3:30 | 86 |
10 | Courage 3:38 | 85 |
11 | Sour Flower 6:47 | 92 |
#2 | / | Albumism |
#5 | / | KCRW |
#6 | / | The New York Times: Jon Pareles |
#10 | / | Okayplayer |
#12 | / | NPR Music |
#12 | / | The A.V. Club |
#16 | / | The Young Folks |
#19 | / | The Needle Drop |
#23 | / | Beats Per Minute |
#23 | / | The Forty-Five |
Please stay on topic. To go off topic, head to the General Chat.