Shinichi Atobe

Yes

In performance since the early 2000s, when he revealed to the public a series of isolated compositions and albums like Butterfly Effect (2014) and From the Heart, It's a Start, a Work of Art (2017), Shinichi Atobe follows in a mix of comfort and constant deconstruction of the artistic identity itself. Songs always marked by layers of synthesizers, textures and small aesthetic overlays that range from deep house to dub techno in a language specific to the producer. Moments when the Japanese ... read more