After 2018’s prickly IRISIRI, the Queens experimental musician narrates a personal and artistic rebirth in spare songwriting fleshed out with acoustic guitar, strings, and turbulent sound collages.
The album is an alluring, heady mix of skewed folktronica, avant garde noise and opulent orchestral tones which combine to cement Eartheater’s place in every discerning music fan’s end of year lists.
Her fourth sees her exploring darker, richer tones, drawing herself up to a mythic height as she conjures a fiery, fantastical rebirth.
#3 | / | Bleep |
#4 | / | The Vinyl Factory |
#9 | / | Dazed |
#15 | / | Dummy |
#18 | / | FLOOD |
#46 | / | Gorilla vs. Bear |
#46 | / | Noisey |
#49 | / | Crack Magazine |