Sometimes I Sit and Think, and Sometimes I Just Sit

Courtney Barnett - Sometimes I Sit and Think, and Sometimes I Just Sit
Critic Score
Based on 35 reviews
2015 Ratings: #29 / 771
Year End Rank: #5
User Score
Based on 758 ratings
2015 Ratings: #22
March 24, 2015 / Release Date
LP / Format
Mom + Pop / Label
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CRITIC REVIEWS

100
DIY
On her full-length proper, Barnett arrives as a longstanding voice, someone who’s going to long outlive the characters she writes about.
100
The Guardian
Gentle, subtle, poignant, Barnett is almost crooning as she talks disappointment and expectation, and she has a photographer’s eye for detail when it comes to the otherwise mundane.
91
Pretty Much Amazing

Sometimes I Sit and Think lends further support to the argument that women are the last, best hope of a once vital genre.

91
A.V. Club

Building on the best tendencies of her earlier songs, Sometimes I Sit And Think, And Sometimes I Just Sit finds Barnett deftly connecting the foreground to the background, the surface to the undercurrent.

90
The Line of Best Fit

Sometimes is the work of probably the best lyricist writing today, and roundly deserves to be an album for the ages.

90
Slant Magazine

For an album that deals in low stakes, Sometimes I Sit and Think finds Barnett hitting some incredible highs.

90
AllMusic

A convincing argument that rock & roll doesn't need reinvention in order to revive itself, Courtney Barnett's full-length debut Sometimes I Sit and Think, And Sometimes I Just Sit. falls into a long, storied rock tradition but never feels beholden to it.

90
PopMatters

On Sometimes I Sit, Barnett is able to find a balance between giving open rein to free associating any and all mundanely personal details that come to mind and striking a bright pop tone that compacts and condenses the more meandering trips collected on 2013’s The Double EP: A Sea of Split Peas.

90
Spin
It doesn't excite with sonic innovation and lyrical reinvention, it excites by just sounding really, really, really good, and coming from a voice that, in more ways than one, we've never quite heard before. And that in itself should make it one of the most thrilling albums you hear this year.
90
Paste

By channeling her anxiety into wonderful, shaggy, relatable and supremely catchy songs, she’s made Sometimes I Sit and Think, and Sometimes I Just Sit one of the most compulsively listenable albums to come out so far this year.

90
Rolling Stone
The tunes are tight and sticky; the guitars hit with real sizzle and bite, accented by flourishes like the garage-rock organ in "Debbie Downer" or the cowbell swing of "Aqua Profunda!"
86
Pitchfork
Even at their most clever, her songs glide from line to line and thought to thought, a stray observation about cracks in the walls leading to something about the wrinkles in Barnett's own palm, propelled by rock'n'roll that seems to find itself plenty serviceable but nothing to stop and fuss over.
86
Northern Transmissions

If any teachers out there are looking for a contemporary indie rock album that’s worth studying in an English literature classroom, Sometimes I Sit and Think, and Sometimes I Just Sit is it.

85
The 405

At least when it comes to her music, she's anything but disappointing.

85
Spectrum Culture

Louder, fuller and more assured, Sometimes I Sit and Think, and Sometimes I Just Sit builds on the promise of her first two EPs and then some.

80
The Skinny
Still, all this detailed wordsmithery would mean little if Barnett didn’t have the tunes to back it up, and this debut album is full to the brim with irresistible shuffles and subtle left turns.
80
NME
She might not want a pedestal, but there aren’t many songwriters who’d make better use of it.
80
FasterLouder
Barnett’s songs hold such sway because she’s voicing her entire range of emotions: alternately scared shitless, achingly sad, and (rightly) proud of herself. Being so in touch with her scattershot feelings, her pen should never run dry.
80
Time Out London
Charming and ironic, bored and anxious, disillusioned but hopeful: Barnett captures those millennial complications and contradictions like nobody else.
80
No Ripcord

Although Sometimes I Sit and Think is musically straightforward, Barnett doesn’t need anything more to tell great stories.

80
Clash

Half of the time Barnett, sounds like she isn't even trying, shrugging out moments of brilliance with ease and nonchalance. Whether she sits and thinks or sits and does nothing, it would appear the results are still golden.

80
Loud and Quiet

She’s having a lot of fun doing what she’s doing, and that attitude is half of the reason why this is a debut album with such massive appeal.

80
The Guardian

Sometimes I Sit and Think, and Sometimes I Just Sit is fun, intelligent and sets up Barnett as a voice who can tread between both high and low culture and treat them the same.

80
Drowned in Sound

There are manifold reasons why Barnett’s music is so compelling, then, but it all boils down to the way that she mines the little details for something powerful and resonant, creating songs that are at once universal and deeply personal.

80
NOW Magazine

A stellar, necessary batch of smart rock songs.

80
The Observer

This debut album proper lacks The Double EP’s shock value – we already know she’s good – but Sometimes… moves Barnett’s own story along with the easy percolation of one of her own songs, better produced and more varied than its predecessor.

75
Consequence of Sound
Barnett clearly doesn’t always take herself or her surroundings seriously, but that doesn’t mean she doesn’t have serious things to say about both.
70
musicOMH

It all means that Sometimes I Sit… is a likeable, enjoyable album rather than a great one. Barnett has written half a masterpiece: let’s hope that, next time round, she can complete the job.

70
Tiny Mix Tapes
Any song on this album could function as a funny little short story well enough, but Barnett’s band, her guitar playing, her impeccable sense for melody and consistency give her stories life beyond their quirks, beyond her strength as a chronicler of the exhausting contemporary situation, expanding them into emotional worlds unto themselves.
70
Crack Magazine

Somehow though, the record doesn’t quite live up to her previous EPs, generally lacking the bile, bite and wit that cemented her as a swift cult heroine in her native Australia and elsewhere and losing a lot in its excess of whimsy. Still, for an album based around swimming and vegetables, it’s actually pretty good.

70
God Is in the TV

Beneath Barnett’s nasal Australian tones, raw guitar riffs and more delicate, reflective sounds combine to great effect. With a self-deprecating, underwhelming tone to her lyrics, the thrashing guitars really do add a great deal to this record, not just making it more enjoyable but also profiling the talent of a focused musician.

70
American Songwriter

What Sometimes I Sit And Think And Sometimes I Just Sit reflects is that Courtney Barnett is a burgeoning talent whose future likely holds great improvement from this already-impressive starting point.

70
FLOOD Magazine

With Sometimes I Sit, Barnett sidesteps any quaint expectations and delivers a true debut album that can surprise listeners with its depth and universality.

65
Under The Radar
On the one hand, its contents are spiky, prissy, and riff-smothered; the sound of an apathetic 20-something detached from modern excess. On the other, it's a frustrating trip of unambitious pastiche.
50
The Needle Drop

Melbourne singer-songwriter Cortney Barnett's debut LP works on simple garage rock grooves and a relatable charm.

Apr 5, 2015
snarekickblues
86
I love Courtney's lyrics and poetry - she reminds me of Parquet Courts in the best way possible

Depreston is genius
Jul 3, 2015
Aoaystheory
93
Courtney Barnett is someone who you can’t help but love because she dosen’t fit in with other “pop stars.” Take the first single off this album “Pedestrian At Best” and you’ll see what I mean. The chorus gives you reasons not to be a fan like, “put me on a pedestal I promise to exploit you” or “give me all your money and Ill make some origami.” This is everything but your average indie rock album, this is quite the opposite, ... read more
May 28, 2015
steviedub
92
Courtney Barnett is probably the most important singer-songwriter in recent memory. She hardly tries to make her point known, but her relevant and satirical lyrics make it hard not to notice her brilliance.
Aug 4, 2018
liammenzies
78
For a bit of fun, I've decided to revisit my 2015 AOTY list and see how all the records on it have held up - there'll be some cringe and maybe some new found love but one thing is for sure, and that's that there will be words.

2015 me: Courtney Barnett has proved time and time again why she deserves to be put on a pedestal, despite what she might say on Pedestrian At Best. Sometimes I Sit.. has an unprecedented charm to it and is insanely listenable. Absolutely exceptional.

2018 me: Oaft. I ... read more
Oct 14, 2015
thisisabtlgrnd
75
It's really the lyricism that gets me here. The songs are catchy and the guitarwork in particular is killer, but this album is really about Courtney's voice and words to me. She takes such mundane moments from her characters lives (and her own) and spins them into deeply emotional and moving poetry. Her music may sound a little dated and formulaic at first, but once she starts singing, it's anything but.

Favorite songs: Elevator Operator, Depreston, Pedestrian at Best, An Illustration of ... read more
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Track List

  1. Elevator Operator
  2. Pedestrian at Best
  3. An Illustration of Loneliness (Sleepless in NY)
  4. Small Poppies
  5. Depreston
  6. Aqua Profunda!
  7. Dead Fox
  8. Nobody Really Cares if You Don't Go to the Party
  9. Debbie Downer
  10. Kim's Caravan
  11. Boxing Day Blues


Added on: January 29, 2015