The band plays with feature artists like a grandmaster plays with chess pieces; weaving them in confusing, but intelligent ways until it results in a complete victory.
Juggling a wide range of genres and features, Gorillaz return to peak form on Song Machine.
The canny duo of Damon Albarn and Jamie Hewlett return to their virtual best and can still pull the big guns from up their cartoon sleeves, as you will witness on this sprawling guest filled dystopian journey of technicolor tunes that still grab from every genre, which Albarn does best, masquerading as the infamous 2D.
Through the Song Machine, Gorillaz prove more so than ever before that in their world, they can do just about anything.
Ultimately, this first installment of Song Machine ... is the most cohesive Gorillaz album since Demon Days 15 years ago.
Strange Timez doesn’t break a whole lot of new ground, but it’s Damon Albarn’s strongest release since Plastic Beach and an infectious celebration of the unique legacy of Gorillaz.
Strange Timez adds a delightful new chapter in Gorillaz’s ongoing tale of cross-pollination.
Rather than assume that the glut of guest stars and features pushes Albarn to the back of his own party, guess again. Every note and nuance of Song Machine bristles with the Blur frontman’s zotzed-out vision and eclecticism.
Strange Timez may have followed a different template than previous Gorillaz albums, but it is unmistakably a Gorillaz album, a record that hides its melancholy among a series of sunny, genre-bending fusions.
Season One of Song Machine has a lot to offer in terms of inventive collaborations and experiments. It’s an intentionally mixed bag, but there’s surprising thematic consistency from Albarn, with his toybox approach to sound design and genre fusion. It’ll be well worth renewing a second season.
Song Machine is an absolute joy to listen to. It feels like a celebration of music and sound. This is the most consistent Gorillaz has been in a very long time.
#14 of my Top 50 Albums of 2020: https://www.albumoftheyear.org/user/chode/list/29961/chodes-top-50-albums-of-2020/
This album is basically Humanz… but awesome
Alright, this is gonna be a long one, so strap in! Gorillaz had a bit of a rough last decade. They started it off really well with Plastic Beach, their best album yet! It featured their best and most iconic production, they’re most conceptual assortment of tracks, and it boasted such an impressive feature list. That record ... read more
Song Machine, Season One: Strange Timez by Gorillaz is somewhat of a return to form. For roughly the past decade, the band has been releasing some questionable albums, some of which even devoted fans hate. This, for me at least, is easily their best record since Plastic Beach. Season one of Song Machine sounds like it comes from another dimension, one a lot less dreadful than the one we currently reside in. Though it still references these 'strange times' which the world is currently dealing ... read more
Their best album since Plastic Beach. Every song is amazing (except Friday the 13th), and recaptures the charm that was missing from Humanz and The Now Now. Damon Albarn’s vocals are great, and the choice of features on each song is perfect. Overall its great.
1 | Strange Timez 3:47 feat. Robert Smith | 82 |
2 | The Valley of the Pagans 3:00 feat. Beck | 86 |
3 | The Lost Chord 4:03 feat. Leee John | 84 |
4 | Pac-Man 3:12 feat. ScHoolboy Q | 89 |
5 | Chalk Tablet Towers 3:02 feat. St. Vincent | 78 |
6 | The Pink Phantom 4:13 feat. Elton John, 6LACK | 84 |
7 | Aries 4:13 feat. Peter Hook, Georgia | 92 |
8 | Friday 13th 3:35 feat. Octavian | 74 |
9 | Dead Butterflies 4:33 feat. Kano, Roxani Arias | 75 |
10 | Désolé 5:33 feat. Fatoumata Diawara | 90 |
11 | Momentary Bliss 3:41 | 89 |
#6 | / | Gaffa (Denmark) |
#8 | / | Les Inrocks |
#12 | / | The Needle Drop |
#14 | / | Spectrum Culture |
#24 | / | FLOOD |
#24 | / | Hot Press |
#27 | / | The Young Folks |
#29 | / | PopMatters |
#44 | / | Far Out Magazine |
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