Claud can do it all and ‘Super Monster’ is the realisation of a long appreciated yet underrated musical talent flourishing.
The unique identity in each one of the 13 tracks is what makes it such a terrific and arresting listen.
Avoiding easy cliches that exist in this universal experience, Claud brings humour and light to what could have easily been a reproduction of any Adele album.
There’s a level of introspection present on the record that’s hard to duplicate, and when coupled with a stunning exploration of queer relationships, it creates something truly extraordinary.
The album is a roadmap for anyone hoping to keep to open the bedroom door to the world outside without losing the gauzy comfort of home.
Despite the rather rarefied environment in which it was made, the best thing about Super Monster is how relatable it is.
Instrumentally and stylistically, ‘Super Monster’ is true to the all-embracing ethos of bedroom pop, with Claud pulling from a wide arsenal of sounds to flit between genre boundaries.
‘Super Monster’ slips a doorstop under every pop genre, keeping all ways open.
Perhaps the only minor quibble might be that 10 songs could have made the album sound a little tighter, but all in all Super Monster is undoubtedly an impressive debut from an immensely talented singer/songwriter.
Claud offers up genuine insights throughout Super Monster, ones that are rooted in a strong sense of self and identity
There’s refreshing originality on Super Monster. Its analysis of love is neither angry nor sentimental but more of an assessment: a study in the intricacies of romance, if you will.
While there could be a little more individuality on show to elevate Claud to their contemporaries’ level, ‘Super Monster’ shows promise of a burgeoning artist finding their own voice.
Ultimately landing like a skill set in progress more than an artist fully formed, Super Monster is nevertheless sweet and full of winsome promise.