Taken together alongside its extraordinary marketing materials and the barrier-smashing music videos they come with, MONTERO represents a true revolution in pop, rap and music as a whole: from Lil Nas X onwards, no topic should be off limits.
The artist who brings out the most conflicting of emotions in people has birthed a true labour of love with MONTERO, and simply, the internet may never be the same again.
Montero succeeds, at times wildly, because of the way it bridges the gap between Lil Nas X the persona and Montero Hill the person.
Montero delivers in droves, a powerful realization of self that boldly places sexuality, honesty, and vulnerability at the fore.
MONTERO lives up to its wild marketing campaigns and is equally as heartfelt and dark as it is bold.
This is a triumphant debut that sees the once-considered one-hit-wonder proving he’s got what it takes to prolong his musical journey and cement his growing pop phenom status.
The music throughout MONTERO suggests that Nas X has a very bright future ahead of him.
MONTERO’s 41-minute runtime breezes by in flashes of Spanish guitar, brassy horns, choral harmonies and the cleanest 808s money can buy.
With every song, MONTERO builds a story of a multifaceted young man who’s not only survived but thrived despite the harshness of his childhood and the volatility of public visibility.
The boundaries between earnestness and camp are blurred on Lil Nas X’s Montero, but it retains the rapper’s sensitive, playful personality.
Despite a big-ass budget and assists from co-writers and producers like Ryan Tedder, Take a Daytrip, and Kanye West, Montero doesn’t contain any “Old Town Road”-scale musical coups. This has always been the paradox at the heart of the Lil Nas X project.
Montero's catchiness and candor is unmatched by a great deal of modern pop.
Lil Nas X’s full-length debut maintains that Hill is an artist beyond genre, which is to say, Montero is a mixed bag, but sufficiently full of candour and assurance to stand up.
[A gigantic thought to the wonderful 1900 followers, I am very touched and many have been with me for a long time now, I thank you! Love]
Lil Nas X has just given birth to a baby, a first child named Montero, size 15 songs and weight: 78 . Montero responds to the expectation, with a very versatile mix of pop songs as sweet, sincere and infectious. Congratulations to the father
It's time for one of the most anticipated pop albums of the year, Montero a potential sig-nificant turning point for ... read more
Here we are, what absolutely shouldn’t have happened is a reality - the should be one hit wonder TikTok cowboy rapper Lil Nas X’s debut album is here and it is an event.
Before singles for this album dropped, I wasn’t even sure if I thought Old Town Road was a good song - I’m still not sure if it is - but I was fully on board rooting for Montero Hill, AKA Lil Nas X, because of the dumb controversy and pushback against him. Frankly, his entire career has been defined by ... read more
thought i’d check this out since lil nas x is dropping this year and i had this on my to listen list anyway. this wasn’t bad by any means but i wasn’t huge on the pop influences and some songs were a lil bit corny. i also thought that, apart from jack harlow and doja cat, the features weren’t great. ‘INDUSTRY BABY’ is an amazing song though and definitely his best song. as for the rest, i don’t rly think that there’s many skips - most of it just ... read more
This album was actually good, not the best, but i still liked it. I mainly listened to this because I got suggested it, and because lil nas x is gonna drop another album soon that i’m curious to listen to.
My top 7 are: MONTERO, INDUSTRY BABY, THATS WHAT I WANT, SCOOP, TALES OF DOMINICA, VOID and AM I DREAMING.
MONTERO is not the best lyrical album, not the best production wise, not the most interesting, but it's really fun to listen to, it's catchy, and has bangers that you can vibe to, huge step up from Montero's 7 EP, one of my favorites from 2021 just because of the fun bangers it has.
1 | MONTERO (Call Me By Your Name) 2:17 | 85 |
2 | DEAD RIGHT NOW 3:41 | 79 |
3 | INDUSTRY BABY 3:32 with Jack Harlow | 89 |
4 | THATS WHAT I WANT 2:23 | 79 |
5 | THE ART OF REALIZATION 0:24 | 53 |
6 | SCOOP 2:54 feat. Doja Cat | 66 |
7 | ONE OF ME 2:41 feat. Elton John | 72 |
8 | LOST IN THE CITADEL 2:50 | 73 |
9 | DOLLA SIGN SLIME 3:34 feat. Megan Thee Stallion | 69 |
10 | TALES OF DOMINICA 2:26 | 77 |
11 | SUN GOES DOWN 2:48 | 81 |
12 | VOID 4:08 | 74 |
13 | DONT WANT IT 2:12 | 73 |
14 | LIFE AFTER SALEM 3:30 | 75 |
15 | AM I DREAMING 3:03 feat. Miley Cyrus | 79 |
#1 | / | Dazed |
#1 | / | People |
#2 | / | USA Today: Melissa Ruggieri |
#3 | / | Billboard |
#4 | / | Los Angeles Times |
#4 | / | The Line of Best Fit |
#5 | / | Yahoo Entertainment |
#6 | / | Rolling Stone |
#6 | / | The Independent |
#8 | / | Consequence of Sound |